GEAR REVIEWS
I use Mnemonica on a variety of projects and find it equally beneficial whether I’m working on a feature film or a TV series. Myself and assistants can set up different rooms, so it’s easy to share content with exactly the right people for each project. So, whatever the size of the production or the number of people involved, we always have clear control over who’s seeing what. Whether it’s checking dailies or signing off cuts, everyone only sees what they need to. In my experience, one problem the platform solves is accessibility. Mnemonica is easy to pick up. Usually after someone’s first use, they have a good grasp on its functions. This cuts down on a lot of the back and forth between viewers and cutting rooms when troubleshooting issues and resupplying a number of links and so on. Being able to just click the link and be in the designated room eliminates confusion and ensures only the people on certain distribution lists get access.
REVIEWER: STEPHEN WALSH S tephen Walsh is a skilled post- production supervisor with credits
including work for Channel 4, BBC Films, A24 and MGM. He began as a post-production runner at Evolutions Television, progressed through roles at Soho Digital Cinema and Pinewood Studios before working as an assistant editor and in-house VFX editor on major film productions.
MAKING COLLABORATION HAPPEN The platform makes it as easy as possible to burn in custom watermarks and share work back and forth
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