FILM LABS TECH
EVERY frame of film IS DIFFERENT BECAUSE OF the nature of grain ”
REEL FUN A sneak peek at the film reels at Cinelab (left); behind the scenes on Jay Kelly (far left)
Bendetti argues that if film is being talked about, then it is often already the filmmaker’s medium of choice. “That is not to say that there aren’t filmmakers who prefer digital capture, but if we are already in the conversation, it’s usually because there is a fight for film. We are not attempting to sell film from a creative perspective. We equip filmmakers with the information that they need to advocate for it.” That support includes providing test stock, budget comparisons and early- stage introductions to cinematographers and crew members who are experienced in film workflows. “We get involved very early,” adds Bendetti. “Almost every time we are able to successfully support a production shooting film, there’s been some sort of digital budget comparison. There has been pushback somewhere, whether it’s logistics or something else.” A recent technological milestone is the evolution of Kodak’s VISION3 colour
negative film. The company has worked to develop a successful alternative to remjet, the long-standing halation protection layer that has been effective but cumbersome during manufacturing and processing. “It did a great job of protecting film on the base side from scratches, offering lubricity and protecting from halation, but there were challenges that came with that,” says Bendetti. Sustainability remains a key focus for Kodak. The company is continually refining best practices to reduce reliance on natural resources such as energy and water, while using technology to improve quality and efficiency across workflows. “There are benefits for labs from an environmental and cost perspective – and for our customer in the resulting image,” Bendetti continues. Production is shifting worldwide, with many projects moving away from the United States in search of stronger tax
incentives and lower production costs. “We’re also excited to be moving our Kodak laboratory in Atlanta, Georgia to a new location, which will allow us to offer expanded services, training, community programming and education.” Kodak House has been an incredible resource for filmmakers and creatives beyond that space. The Los Angeles location has hosted numerous Q&A sessions, welcomed such esteemed filmmakers as Brady Corbet, Yorgos Lanthimos, Ryan Coogler, Gia Coppola and Sean Baker, and offered training and hands-on workshops. Kodak has reinvested in film as a pivotal part of the corporation’s future. “We are in the middle of a ten-year plan for capital upgrades and investment in the factory, which will ensure we can produce film for many more years to come,” notes Bendetti. “Younger filmmakers are also investing their resources and future in
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DEFINITIONMAGS
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