59
4K CAMERA LISTINGS
ARRI ALEXA SXT EV
ARRI ALEXA SXT W
120FPS
14STOPS
PLMOUNT
2880x2160
SxS/SXR
120FPS
> 14STOPS
PLMOUNT
2880x1620
SxS
SXT ALEXAs get the sensor from ALEXA, the electronics from the A65 and the colour management from AMIRA. In-camera rec is ProRes 4K UHD/CINE. A direct response to requests for cutting-edge digital capture with traditional elements of the film cameras.
Based on the ALEXA SXT Plus, the SXT W has replaced the SXT Plus and Studio models with an industrial version of the Amimon chipset for wireless transmission. ARRI has ruggedised the W mainly for feature work.
SPECIFICATION
SPECIFICATION
16:9 or 4:3 sensor mode. 4:3 output only available for ARRIRAW and ProRes 2K recording At 16:9 – 0.75–120fps/60fps max when recording 2K ProRes/speeds
16:9 or 4:3 sensor mode. 4:3 output only for AR- RIRAW and ProRes 2K recording At 16:9 – 0.75-120fps/60fps max when recording 2K ProRes/speeds adjustable with 1/1000fps precision
SENSOR – FORMAT AND SIZE
SENSOR – FORMAT AND SIZE
FRAME RATES
FRAME RATES
+14
LATITUDE (STOPS)
14+
LATITUDE (STOPS)
PL
LENS MOUNT
54 mm stainless steel LDS PL mount
LENS MOUNT
2880x2160 uncompressed ARRIRAW
DIGITAL SAMPLING
2880x1620, Uncompressed ARRIRAW/1920x1080
DIGITAL SAMPLING
16-bit linear internal image processing in full ALEXA Wide Gamut/Log C colour space. Target output colour spaces: Log C, Rec. 709 or Rec. 2020
RECORDED BIT DEPTH FORMAT AND TIME
SxS PRO 64GB; SxS PRO+ 64GB; SxS PRO+ 128GB; LEXAR 3600x CFast 2.0 cards 256GB; XR Capture Drives 512GB; SXR Capture Drives 1TB & 2TB
RECORDED BIT DEPTH FORMAT AND TIME
6.5 (SXT EV body with PL mount)
WEIGHT (KG)
ARRI ALEXA 65
ARRI AMIRA
60FPS
> 14STOPS
XPLMOUNT
5120x2880
SXR/XR
200FPS
14STOPS
PLMOUNT
2880x1620
CFAST
With a sensor larger than a 5-perf 65mm film frame, ALEXA 65 heralded the start of large format. Now shooting as a main production camera for Netflix, Amazon and the rest. Only available exclusively through their global network of rental facilities.
Amira is now split up into standard, advanced and premium. Features include in-camera grading with preloaded 3D LUTs, as well as 200fps slow motion. From reportage and corporate films to TV drama and low-budget movies. Multicam mode too.
SPECIFICATION
SPECIFICATION SENSOR – FORMAT AND SIZE
ARRI A3X CMOS sensor, 54.12x25.58mm active image area. Open Gate aspect ratio of 2.11:1 (6560x3100) Capable of recording 20-60fps (open gate) using new SXR media. XR drives allow 27fps
Single CMOS, 16:9 (1.78:1), 28.17x18.3mm – 35 format
SENSOR – FORMAT AND SIZE
Up to 200fps in ProRes
FRAME RATES
FRAME RATES
14
LATITUDE (STOPS)
14+
LATITUDE (STOPS)
PL, B4 mount w/ Hirose connector
LENS MOUNT
ARRI XPL mount with Lens Data System (LDS)
LENS MOUNT
1.78 crop mode (5-perf 65mm): 5120x2880 and 1.50:1 crop mode – 4320x2880 Codex SXR Capture Drive 2000 GByte capacity Max. frame rate capability: 60 fps (Open Gate) Recording time: 43 minutes at 24 fps
2880x1620, uncompressed ARRIRAW/1920x1080
DIGITAL SAMPLING
DIGITAL SAMPLING
HD 1920x1080, 2K 2048x1152, 3.2K ProRes 3200x1800 4K UHD 3840x2160
RECORDED BIT DEPTH FORMAT AND TIME
RECORDED BIT DEPTH FORMAT AND TIME
4.1 (camera body with PL lens mount)
WEIGHT (KG)
10.5
WEIGHT (KG)
@DEFINITIONMAGAZINE |
@DEFINITIONMAGS |
@DEFINITIONMAGS
AUGUST 2018 DEFINITION
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