Cambridge Edition April 2019

BOOK CLUB

CAMBRIDGE EDI T ION Boo k Clu b BRINGING YOU TOP NEW FICTION PICKS, AUTHOR INTERVIEWS, DISCOUNTS AND LOTS MORE BOOK CHAT, THE EDITION BOOK CLUB IS A PARTNERSHIP WITH CAMBRIDGE LITERARY FESTIVAL AND HEFFERS

INTERVIEW BY CHARLOTTE GRIFFITHS

THE L ANGUAGE OF BIRDS BY JILL DAWSON THIS FICTIONALISED RETELLING OF THE LORD LUCAN MYSTERY FOCUSES ON THE VICTIM T he Language of Birds follows two young women from the Fens as they navigate life in 1970s London, working as nannies for the children of “society” women and hoping to enjoy all the excitement offered by life in the capital city. Mandy River is trying to escape a troubled past, yet seeking a fresh start lands her in the midst of a family undergoing an extremely messy separation; her friend Rosemary, normally gifted when it comes to reading the truth of a situation, is mistaken about Mandy’s employers’ intentions – with tragic consequences. Though the tale is fictional, the book is dedicated to and inspired by Sandra Rivett, the young woman found murdered in 1974 at the home of Lord Lucan, where she had been employed as a nanny. As Jill Dawson has done many times before with previous books, The Language Of Birds takes commonly-held beliefs regarding a real life situation and shines light into their darker areas, seeking out alternative perspectives and showing that the voices of women are all too frequently not given the attention they deserve – or even more sinisterly, are silenced altogether. Jill finished writing The Language Of Birds over a year ago, and has taken time out since submitting her manuscript, giving her brain a breather from the intensity with which she approaches the business of writing. She lives near Ely, in a house designed by her husband, and her study – where she spends the majority of her time – enjoys glorious views across the Fens towards the city’s cathedral.

“I spend most of my time alone in this study, writing – and then pop up for a few months promoting a book,” Jill says. “The two are very different, very contrasting, so it’s not too surprising when writers say they enjoy time on their own. I think the way I work is quite intense: I’m obsessed and obsessive when I’m writing, so I often need a bit of a breather afterwards.” The original idea for The Language of Birds came to Jill a couple of years ago while watching yet another documentary on the life and disappearance of Lord Lucan. “I thought: ‘Well, we don’t know much about the nanny…’ and then I started reading up about nannies at the time. The book was actually going to be called The Nanny’s Story at first, but I rather like The Language Of Birds , for reasons which become obvious when you read it. When you look at the journalists and writers of the time, they were all of [Lucan’s] type – same background, white, male, older; they went to clubs, had younger girlfriends – and so therefore u

EVENTS Inspired by The Language of Birds , or one of Jill’s other works? The author will be visiting the Cambridge area for several events in April: 4 APRIL: Cambridge Literary Festival 10 APRIL: St Peter’s Church, Ely 28 APRIL: Stapleford Granary in conversation with Gillian Beer

27

C A M B S E D I T I O N . C O . U K

A P R I L 2 0 1 9

Powered by