NEWS
STREAMING SWITCHEROO!
Live streaming is being simplified by Sony, which has revealed a new remote production unit for high-quality video transmission using 5G mobile phone networks, plus a software switcher that can be used on location or via the cloud. It’s part of a widespread upgrade to Sony’s Networked Live ecosystem of products, services and partners to make sharing faster, easier and more reliable. The CBK-RPU7 remote production unit comes with Sony’s ultra-low- latency HEVC codec and its small form factor lets it fit onto cinema cameras, broadcast units or camcorders using a V-Lock battery mount. It connects to the camera via SDI and is ideal for 5G networks, and also suitable for wired networks with limited bandwidth.
The M2L-X can be employed as stand-alone software – that’s either in a virtual private cloud (VPC) environment or on-premises. Subsequently, it can be operated through its GUI, the ICP-X series of control panels or even through third-party controllers such as Stream Deck from Elegato. Sony has also revealed SDI capability for the MLS-X1 scalable live production switcher. Now, Sony Networked Live users can transition from an all-SDI workflow to mixed SDI-IP, and onto pure IP environments.
In a production environment, the CBK-RPU7 encoder is paired with the NXL-ME80 for decoding. This Media Edge Processor for WAN transport was the first product to include Sony’s new HEVC ultra-low-latency encoding which combines a high compression ratio and very low latency. The M2L-X software-based switcher expands the interface of Sony’s existing M2 Live cloud-based switcher, allowing video/audio switching, graphic insertion and other functions to be performed remotely during live broadcasts.
LIVE AND KICKING Using the new CBK-RPU7 remote production unit (top) and M2L-X switcher (above) is a fast way to stream from pro cameras
WIDE ZOOM GOES ON DIET
performance throughout the zoom range; its minimum shooting distance is 0.22m and maximum shooting magnification 0.32x. Sony’s original Nano AR Coating II suppresses ghosting and flares even with a strong light source in frame. The lens includes the latest XD (extreme dynamic) linear motors for speedy, quiet AF that is suitable for movies, and is up to twice as fast as conventional models. A fluorine coating is applied to the front lens, so dirt can be removed without damaging the glass, while the design is dust and splash proof. At £2400/$2298, it offers operability and reliability for comfortable shooting of stills and movies. sony.com
A smaller, lighter version of Sony’s flagship wide-angle zoom lens is now more video-friendly, with an aperture ring, reduced focus breathing during shooting, plus suppression of the centre of gravity’s movement during zooming – ideal for gimbal use. The Sony G Master FE 16-35mm f/2.8 GM also has two focus hold buttons that can be assigned from the camera body. It is the world’s smallest and lightest wide-angle zoom with a total length of 111.5mm and a weight of 547g – 20% lighter than the previous model. With a new optical design that makes use of a precision XA (extreme aspherical) lens, the 16-35mm zoom offers improved close-up
7
PROMOVIEMAKER.NET
Powered by FlippingBook