Photography News 98 - Newsletter

News Purer and faster fromDxO DxO has reacted to feedback and supercharged its PureRaw software. Version 2 is quicker and even more user-friendly – and works with files from Fujifilm X-Trans cameras

Digital noise is not an issue, unless you are shooting at very high ISO speeds. But even then, most recent cameras capture superb quality at ISO 1600, 3200 and beyond – especially with editing in post. DxO PureRaw is a software for denoising and demosaicing digital files, particularly its DeepPrime function. Version 2 offers the same features, only it meshes more intuitively and smoothly with Lightroom Classic. Now, you may right-click on Raws for PureRaw to process, and return to the same folder. This functionality is possible with Windows File Explorer and the MacOS Finder. Fujifilm X-Trans camera users can also enjoy PureRaw 2’s benefits. A beta version of DeepPrime was available in DxO PhotoLab 5, but the full version is available on this new software. So, if you have files from the Fujifilm X-T1 and X-Pro1, PureRaw 2 will inject a new lease of life into them. And, of course, the same also applies to a host of older camera models from other brands.

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WORK SMARTER PureRaw has three clean-up options, with DeepPrime the most effective. You get an indication of the time it will take for processing and final file size – and can save to DNG or JPEG

Speed is also something that DxO has significantly improved, now 1.5 times faster on Windows and up to four times faster on Apple M1 Macs. In addition, putting Raws through PureRaw means you can benefit from DxO Optics Modules, making the most of your lenses and correcting

distortion, vignetting and aberrations automatically. Over 70,000 camera/ lens combinations are in the DxO database, and you get the option of using the profiles before processing. DxO PureRaw costs £115; the upgrade from the original is £69. shop.dxo.com

the Vanguard website. vanguardworld.co.uk

USERTEST WILL CHEUNG, PN EDITOR I did some testing with PureRaw 2, using Raws shot at a range of ISO settings, and from a wide variety of cameras – including Fujifilm X models. Processing speed is much

removing noise and enhancing detail, and this applies to old Raws, as well as those from contemporary cameras. It also gave a benefit with Raws shot at lower ISOs, but that could be minimal, and not worth the effort given the increase in file size. In fact, I did one test with a Z 9 Raw and thought that the PureRaw 2 result was actually marginally worse than the native file, with detail looking less crisp. This was the one exception in all the files I tested – and in general, there was a tangible quality boost. PureRaw 2 is excellent, and will probably become an integral part of my workflow.

faster compared to the original version. Using an M1 Mac Mini, a Fujifilm GFX100S Raw (105MB) took 30secs in version 2, and 104secs in the old software. A Nikon Z 7II Raw went through in 20secs and 47secs, respectively. It’s worth noting that processed DNG files are much bigger than the original Raw. In the case of the 105MB Raw processed here, the final file was 365MB. There’s no doubt that PureRaw 2 does a great job

FEEL THE NOISE The original was shot on a Nikon D800 at ISO 25,600. Top right is the image through Lightroom and bottom right is the PureRaw 2 DeepPrime version. Improvements are massive – blacks are deep, detail looks great and the noise has gone

Photography News is published 11 times a year by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior written permission of Bright Publishing Ltd. Photography News is a registered trademark of Bright Publishing Ltd. The advertisements published in Photography News that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. While Bright Publishing makes every effort to ensure accuracy, it can’t be guaranteed. Street pricing at the time of writing is quoted for products.

Editorial team Editorial director Roger Payne Editor Will Cheung FRPS 01223 499469 willcheung@bright-publishing.com Chief sub editor Alex Bell Sub editors Matthew Winney, Harriet Williams Contributing editor Kingsley Singleton Contributingwriter Alex Fice

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Design team Design director Andy Jennings Design & ad production Hedzlynn Kamaruzzaman and Man-Wai Wong Distribution Distribution and subscriptionmanager Phil Gray philipgray@bright-publishing.com Publishing team Managing directors Andy Brogden & Matt Pluck As well as your local camera club, you can pick up Photography News in-store from: Cameraworld, Castle Cameras, Jessops, London Camera Exchange, Park Cameras, Wex Photo Video, Wilkinson Cameras

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