DEFINITION April 2022 - Web

IN ASSOC I AT I ON WI TH

BLACKMAGIC DESIGN POCKET CINEMA 4K & 6K CANON EOS C500 MARK II

CANON C70

CANON EOS C300 MARK III

4K – Four Thirds CMOS, 18.96x10mm, 4096x2160 6K – Super 35, 23.10x12.99mm, 6144x3456

SENSOR FORMAT & SIZE

5.9K full-frame CMOS

Super 35 Dual Gain Output (DGO)

Super 35, 26.2 x 13.8mm

4K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps, windowed HD 120fps 6K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps

4K recording up to 120fps, 2K (crop) recording up to 180fps, audio recording at normal frame rate possible

Cinema Raw Light: 5952x3140/4096x2160: 15-60fps 2048x1080 (2K Crop): 15-120fps

FRAME RATE

4K up to 120fps, 2K cropped 180fps (Super 16)

LENS MOUNT

4K – Active MFT 6K – Active EF

EF, B4 via adapter accessory (EF or PL)

RF, EF compatible with EF EOS R mount adapter

EF, PL

4K – up to 4096x2160, ProRes 422 and 12-bit BRAW 6K – up to 6144x3456, 50fps, ProRes 422 HQ QuickTime, BRAW

Cinema Raw Light: 5952x3140, 2.1Gbps, 30 minutes 4096x2160, 1Gbps, 65 minutes 2048x1080, 250Mbps, 256 minutes

XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit MP4 H.265/HEVC, 4:2:2 10-bit MP4 H.264, 4:2:0 8-bit

RECORDING OPT IONS

Cinema Raw light (CRM), XF-AVC (MXF)

EXPOSURE L AT I TUDE

Canon Log 2: 16+ stops Canon Log 3: 14 stops

13 stops

15+ stops

16+ stops

PANASONIC AU-EVA1

PANASONIC VARICAM 35

PANASONIC VARICAM LT

DJI RONIN 4D

SENSOR FORMAT & SIZE

5.7K Super 35 MOS, 5720x3016

Super 35 MOS, 8.9 megapixels

Super 35 MOS, 8.9 megapixels

35mm full-frame 8K CMOS sensor

4096x2160 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840x2160 59.94p, 50p, 29.97p, 25p, 23.98p, 2K/HD 240fps

60fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, 240fps/200fps (cropped)

4096x2160 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840x2160 59.94p, 50p, 29.97p, 25p, 23.98p, 2K/HD 240fps

FRAME RATE

8K up to 60fps

LENS MOUNT

EF

PL

EF

DL, M, E

4:2:2 10-bit – Video Codec up to 400Mbps. V-Log & V-Gamut. 5.7K Raw output. Dual Native ISO 800 & 2500

RECORDING OPT IONS

AVC-I 4K and 2K, AVC-I, ProRes 4444, 444, 422 HQ

AVC-I 4K and 2K, AVC-I, ProRes 4444 XQ, 4444, 422 HQ

ProRes Raw, ProRes 422 HQ, H.264

EXPOSURE L AT I TUDE

14 stops

14+ stops

14+ stops

14+ stops

92. DEFINITIONMAGAZINE.COM

Powered by