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CREATOR TOOLS
LENSES AND PTZ
CLASSY GLASS When it comes to content creation and podcasting, it’s better to use a modern AF lens either from the camera manufacturer or a trusted, high-end independent brand. The best are either fast primes – if you really want a shallow depth-of-field – or a wide-to-mid-range zoom, preferably with a close-focus capability. For Sony users, the Sony 20mm f/1.8 G is sharp, ideal for vlogging or handheld work, while the Tamron 28-75mm f/2.8
PRIME MOVER The latest 50mm lens from Canon is a hybrid AF optic that’s perfect for video use
But for a true video experience with lenses for Canon RF mount cameras – from Canon to Red Komodo and V-Raptor – the latest hybrid optics are a top choice. The 50mm f/1.4L VCM and 24mm f/1.4L VCM lenses offer video-friendly features, including a smooth iris ring with an 11-bladed circular aperture, fast and precise low-light performance, advanced optics and minimal focus breathing. They join the current 24-105mm f/2.8L and 35mm f/1.4 hybrid lenses, as well as a 70-200mm version.
G2 zoom is another strong choice. Canon’s RF 24-70mm f/2.8L IS USM remains the gold standard for RF mounts, while Sony’s latest 28-70mm G Master lens impresses with its f/2 aperture. Sigma offers a wide range of Art lenses – both primes and zooms – to fit most modern cameras. They deliver stunning performance at prices that undercut many manufacturers’ own lenses. The 24-70mm f/2.8 DG DN II Art is a winner, as is the 28- 45mm f/1.8, while the 50mm f/1.2 DG DN Art prime is sublime.
ZOOM BOOM Sigma’s 28-45mm f/1.8 is unique and new
WHAT ABOUT PTZ? Pan-tilt-zoom cameras are becoming widely used in professional podcast studios as they can be controlled remotely – some can even automatically track subjects as they move during the shoot. At the high end, the Panasonic AW- UE150 was the first 4K/60p PTZ camera from a major brand. No longer the flagship, it’s now a cheaper buy with a one-inch sensor, 12G-SDI, optical fibre and IP control, plus 20x optical zoom. For a more cinematic look, Sony’s FR7 is its first PTZ camera with a full-frame sensor and interchangeable E-mount lenses. It features a back-side illuminated 35mm sensor offering over 15 stops of dynamic range and up to 4K/120p.
POD PERFECT Many podcast studios are making the switch to remote PTZ cams, like these from Sony and Panasonic
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