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fact that such systems need to continue working for many years. Also important is an understanding of the cost and complexity of the system integrators having to replace projectors when a technology refresh is eventually needed. For these reasons, we take great effort in designing each new gen of projectors in such a way that they’re as close as possible to a form-fit-functional replacement for the preceding model. A good example of this is the VS4010, the laser phosphor replacement for the SH7 lamp-based 4K native projector launched in 2010. With the same footprint, and the same lenses as its predecessor, the VS4010 even comes at a special price for those customers replacing existing SH7 models. Furthermore, recognising the need for lower-cost projection solutions for smaller planetarium and fixed-base flight training device applications, we have implemented special warranty conditions for versions of our home theatre models NZ800 and NZ900 that allow their use in commercial rather than domestic environments. Hartmut Kulessa Laser light sources have become the standard, delivering high brightness with extended lifespans and minimal maintenance. At the same time, energy efficiency and eco-conscious design are becoming priorities, with features like optimised cooling, eco filters, constant brightness mode, as well as intelligent power management reducing the overall cost of ownership. Software also plays a role in extending product life by enabling predictive maintenance and remote monitoring. Joel St-Denis One recent development is the introduction of projectors with Texas Instruments’ new 0.8in HEP (high-efficiency pixel) DMD. HEP DMDs are incredibly efficient, resulting in high-brightness projectors with lower power and cooling requirements. Other benefits of the HEP technology include higher contrast, new projector designs that are smaller and lighter and, perhaps most importantly to customers, a lower-priced product.
We take great effort in designing each new gen of projectors in such a way that they’re as close as possible to a form-fit-functional replacement for the preceding model”
based on environmental conditions, automatic content generation. This could all streamline set-up, calibration, warping and blending workflows and lots more.
example, Christie Mystique allows users to quickly install, align, calibrate and maintain multi-projection systems. At ISE 2025, Christie partnered with Augmenta to create a fully interactive floor-to-ceiling projection-mapped room, combining audio and visual elements to stunning effect. Attendees were able to interact with content projected on the walls and floor of the room, driven by Pandoras Box media server. Yann Verhellen In immersive and experiential environments, we already see a widespread use of interactive technologies such as motion tracking and gesture control to personalise people’s experiences and improve audience engagement. We’ve also been involved in projects that are using AI-enabled automation to power projection mapping, like showing a certain animation on the outside of a sports venue whenever the home team scores a goal. Advances in AI afford new, exciting pathways for projection technology. Think of automatic content optimisation
ow can integrators and designers overcome challenges such as ambient light, space constraints and installation complexity to truly maximise the impact of projection? Yann Verhellen Ambient light is, of course, the natural enemy of projection. Some additional brightness in combination with the right projection screen can get you a long way, especially indoors. Space constraints require
hat role will AI, automation and interactive technology play in the future of projection, particularly immersive and experiential environments? Joel St-Denis We encourage any advancement in technology that allows our partners to focus on creativity while minimising installation challenges. For
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