38 shows just what it can do with green-screen virtual production Being green SPONSORED CONTENT As more brands are turning to high-end, cinematic content, Masterwork Films
B ursting onto the scene in 2024, Masterwork Films is one of the few UK green-screen virtual production studios operating outside London. Based in Brighton and Hove, the company grew from a passion for documentary storytelling, though today it specialises in branded content with a narrative edge, offering endless production possibilities to a range of commercial clientele. While LED volumes have been all the rage as of late, green screens are still a solid choice for VP pipelines. Boasting lower production costs, Masterwork’s virtual studio operates high-end, cinema-grade technology – such as Unreal Engine 5, AJA Colorbox and Blackmagic Design Ultimatte systems – offering real-time keying, compositing and colour grading. The green-screen area itself is painted with Chroma Light – which is now available from CVP – for precise digital keying and seamless post- production. It measures a sizeable 602 sq ft and features acoustically treated walls and DMX-controlled stage lights for exceptional audio-visual output. Like other leading studios, Masterwork Films takes a flexible approach to its production, providing in-house expertise, kit hire and bespoke virtual backgrounds when requested – and staying on the sidelines if not. The team offers two camera packages – Film, for a cinematic look, or Creator, which is more suited to
Masterwork’s virtual production packages range from use of the facilities to full-fledged production guidance
web-based content – depending on each client’s ambitions. Led by CEO Biro Florin, Masterwork addresses today’s pressing production needs – efficiency chief among them. By bridging green-screen VFX tech with the live element of VP, the studio bides time for its clients, who are often working to tight deadlines. Masterwork recognises that branded content is becoming more filmic than ever, and therefore supports multicam switching, ultra-high-res recording and colour-accurate lighting in both the foreground and background. “We’re focused on the narrative side of filmmaking,” stresses Florin. “We do
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