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spill over to the other. But one 2TB capacity has been plenty for most of what we do.” SLOW DOWN Rob is now used to the speed that he is getting from the Samsung Portable SSD T5 drives, but when media has to be archived to spinning media, everything seems to slow down. “Everyone is trying to get home after a day’s shooting, but copying has to happen. The Samsung drives have sped up that process,” says Rob. “I wish I’d bought the Samsung Portable SSD T5 drives sooner. I will always have two or more of them in my bag when I’m on location.”

native language of each country we filmed in and localised for the remaining markets. “We were tasked with delivering the campaign in full, from the creative development and influencer recruitment to filming in each market, post-production editing and localisation. “As soon as we had finished shooting, I transferred the footage from the camera cards directly to the portable drive. While I travelled to a new location or to the airport, I was able to start editing immediately, directly from the Samsung drive.” Rob was also involved with a six- country production that needed the light editing set-up that the Samsung Portable SSD T5 gave him. “The 2TB drive gives me lots of storage and because I’m editing off the drive when I’m in the office, I can use the desktop machine. Also, when we grade the footage we can run it straight from the drives without using the internal hard drives,” explains Rob. “But it’s the fact they are small and light. They fit in a pocket in my rucksack; you’re carrying around 4TB of storage, which is mad! We were shooting two projects and both fitted on one drive. Even if I don’t have enough room on one, I can

IMAGES The Samsung Portable SSD T5 drives have helped Rob start editing as soon as they have finished shooting. With no moving parts and a shock- resistant internal frame, the Samsung drive can withstand accidental drops of up to two metres – ideal when you’re on the move. EDITING ACROSS FIVE COUNTRIES A great test for the Samsung Portable SSD T5 drives was when one of Rob’s clients approached him to create a global influencer campaign, spanning five countries. “The 12-film campaign was to focus on UK, Russian, French, German and Norwegian markets, featuring influencers working in design, travel, lifestyle and fashion. The films had to be shot in the

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