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become a more versatile option for those looking to shoot high-motion subjects. The Komodo-X also runs on micro V-Mount batteries without the need for an adapter, which is a more versatile, higher-capacity battery option commonly used across equipment on set. There is also support for the DSMC3 seven-inch touch monitor with the Komodo-X, a key solution for monitoring and camera control that leaves the SDI available for other devices. There are also better connections for IP workflows and an updated media type that is used across Red’s DSMC3 cameras. Q. I need a new tripod for use on almost everything. I’ve never spent more than £500 on a tripod and head and have been pretty happy. What are the advantages of going for something more expensive? And how much do I need to spend to really notice a difference to my old Manfrotto?
solution of batteries and charger. What do I need to consider? A. A lot of this will depend on the fixtures/ outputs of your lights. It might be tricky to find a cost-effective solution that is reliable and will offer a consistent output. A recommendation we would make would be the Ecoflow Delta Mini, an 882Wh portable power station that has two mains outlets, four USB outputs and can be charged in 90 minutes, which is quicker than four V-Mount batteries. It’s a more cost-effective solution than buying reliable V-Mount batteries for all your lights. Q. I’ve seen the specs, but what are the key real-world advantages of the Red Komodo-X over the standard model – as it’s significantly more expensive? A. There are a few key advantages to the Komodo-X, with the first being the increased frame rates. With those being double that of the regular Komodo, it has
Q. I couldn’t make it to CVP’s lens summit but I am interested in anamorphic lenses and aspect ratios. I shoot on a range of full-frame Sony E-mount cameras, what are the best affordable options and what squeeze ratio should I be looking for? A. What squeeze factor you get will come down to what deliverable aspect ratio you want to end up with. On the budget end you have lenses from Sirui and Laowa, before moving up to something from the likes of Vazen, or Schneider’s re-released Iscorama 54. Most Sony full-frame E-mount cameras have some kind of anamorphic support, but this is a pretty new thing for these models so options are limited. An external monitor with de-squeeze support might be required. Q. I have a mix of Aputure and Nanlite COBs, and Falcon Eyes and Rotolight LED light panels. To power them I’m looking for a cost-effective V-Mount battery
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