REMOTE WORK ING | V I NE FX
ABOVE VFX before and after shots for the Channel 4 and Netflix co-production, Crazyhead
MODERN OFFICE Vine FX was unintentionally prepared for 100% remote working well before lockdowns were put in place
INTERV I EW BY CHELSEA FEARNLEY
hours, free from the commute to Soho, and employed local and remote-based artists by investing in PCoIP technology. A forward move that has paid off during this global health crisis…
hen Michael Illingworth moved Vine FX to his home town of Cambridge four years ago, he did so with the intention of creating a company culture that’s about fulfilment in work and life. He offered flexible
10 DEF I ANT | 24 -30 APR I L 2020
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