ROUND TABLE
Def: As PTZ cameras continue to evolve, what do you think will be the biggest challenge to adoption for high-end filmmaking? GP: The demand for better sensor and image quality in PTZ cameras is growing, as users value the benefits of remote control, shot variation and AI automation. While advancements are likely, size and physics impose limitations. Larger sensors will require larger lenses, increasing the overall size of the solution. However, evolutions in this tech will bring size down as much as possible. Another key area is cabling. Currently, PTZ cameras rely on long Ethernet cables, but future wireless solutions could allow cameras to be placed anywhere. KH-J: The biggest challenge with PTZ cameras is the disconnect they create between the filmmaker and the creative tool. By design, PTZ cameras are remote- operated, all-in-one solutions, which contrast with the hands-on approach filmmakers prefer. Traditional cinema cameras – whether mounted on sticks for smooth pan-and-tilt motion, rigged on a gimbal, Steadicam or operated handheld – offer a wide range of ways to infuse character and intention into the movement of a shot, something that is much harder to achieve with a PTZ currently. DM: The biggest hurdle is shifting the perception that PTZ cameras are less cinematic than traditional set- ups. Despite advancements like high- quality 4K/60p resolution and innovative features such as AI tracking and NDI HX3 encoding, some filmmakers still associate PTZs with live broadcast
wireless operation in the X4 Ultra – allow seamless integration across diverse environments. Intelligent features like AI tracking and customisable displays simplify operations and boost efficiency. PTZ cameras that integrate easily into existing workflows, reduce hardware needs and support evolving production demands offer the best balance of creativity and practicality. GP: Every project is unique, and PTZ cameras can deliver shot versatility and remote control. However, seeing as they are fixed cameras rather than handheld, this limitation needs to be taken into consideration for a project. They should be best viewed as complementary to traditional cameras, adding variety to shots and providing distinctive control options. The future of AI and automation can also provide more control to crews, allowing the technology to take over certain tasks. THE BIGGEST HURDLE IS shifting the perception THAT PTZ CAMERAS ARE less cinematic ”
SHARP SHOOTER Both Canon’s CR-N700 (above) and BirdDog’s X series (below) are capable of delivering 4K footage
production or audio-visual applications. Demonstrating their capabilities in real-world cinematic projects is key to breaking this stigma. Additionally, the lack of standardised control protocols can complicate integration into established workflows. Education, seamless connectivity and reliable support will be essential to building confidence in PTZ cameras as a powerful tool for high-end filmmaking. CL: The key challenge will be to demonstrate how PTZ cameras can complement but not replace manual artistry, offering practical solutions without compromising on quality or creative intent.
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