Definition Christmas 2024 - Web

CHANGING THE GAMES Whether in sports broadcasts, film production or live event videos, both the RP1 (left) and ARRO (far left) will go above and beyond for creative image making

adjustment of lens height from 1100- 1850mm and a maximum lift speed of 150mm per second.

Luxembourg-based RTL group also acquired three RP1s for their operations and have already ordered more.

. FUTURE OF AUTOMATED STUDIOS With a legacy of live production,

A HELPING HAND Blackcam’s new Robotic Arm ARRO integrates seamlessly with the RP1 (sold together as MORO as well as individually). This robotic arm covers a wide spherical space and offers ‘whisper-quiet’ dual operation, according to the company. Available in two versions to meet filmmakers’ various weight requirements, the 1.6m-long ARRO 1 supports a payload of 10kg while the 1.8m ARRO 2 supports 17kg. The arm is an ideal companion for both small- and large-scale live productions, allowing its users to record sequences and routines via Blackcam’s Remote Software for Full Automation. ARRO played a critical role in U2:UV Achtung Baby Live at Sphere, the Irish rock band’s concert residency that stretched over five months and 40 shows. There, Vis-A-Vis Video, a long-time partner of Blackcam, utilised the robotic arm to capture live footage of each night’s performance, offering innovative angles thanks to its flexible mounting options. It also stayed well out of the way, giving audiences an unobstructed view of Bono and his bandmates – essential for live event videography. Thousands of miles away in Munich, Blackcam equipped the ProSiebenSat.1 news studio with two Pedestal RP1s. It also provided a suspended B60 camera system – combining a dolly, tower and remote head – and all the necessary rigging and cabling to aid the German broadcaster in delivering content. The

Blackcam’s innovations have moved into the automated studio of the 21st century. Today’s audiences demand bold, dynamic imagery and broadcast studios are placing a strong emphasis on efficiency to serve evocative imagery. It’s no surprise that they’re embracing the latest tech to create it. The ARRO and RP1 provide a technical solution that enables bold visual ambitions. Modern broadcasting needs flexibility and precision; Blackcam offers both. With its attention to detail and ability to repeat movements, the systems save time on doing multiple takes while opening new avenues for visual innovation. Thanks to their smooth operation, DOPs can experiment with various manoeuvres, angles, compositions, frame rates and so on, encouraging them to aim for the perfect shot and capture that cinematic look – and achieve it without jeopardising on-set safety. With remote control and the ability to be pre-programmed, the ARRO and RP1 are also fully customisable, increasing efficiency – a clear benefit. While still in their relative infancy, both the ARRO and RP1 have demonstrated that, when it comes to doing complex camerawork, they deliver. No matter the field they’re in, Blackcam Robotics is a name worth keeping tabs on.

also maintaining an absolutely clean look. Even the RP1’s driving wheels offer something special – easy access for no- tools cleaning. With a company mandate to provide smooth, trusted camera positioning for varied studio requirements, the RP1 pairs beautifully with multiple compatible innovations. The Studio Remote Head provides full 360° pan range and 105° tilt range to achieve 90° rotation in about one second. Known for quiet operation, it’s designed to meet the acoustic demands of live studio environments. In addition, it integrates easily with equipment like teleprompters thanks to its 15v power output. Want even more versatility? The Tower Lift offers a variable load capacity up to 80kg. Its adjustable gas spring allows for

Learn more at blackcamrobotics.com

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