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EDITORIAL Editor in chief Nicola Foley email@example.com
Senior staff writer Katie Kasperson Chief sub editor Matthew Winney Sub editors Martin Puddifer, Minhaj Zia Editorial director Roger Payne firstname.lastname@example.org Contributors Adrian Pennington, Phil Rhodes, Robert Shepherd ADVERTISING Sales director Sam Scott-Smith email@example.com 01223 499457 Sales manager Emma Stevens firstname.lastname@example.org 01223 499462 | +447376665779 DESIGN Design director Andy Jennings Magazine manager Lucy Woolcomb Ad production Holly May PUBLISHING Managing directors Andy Brogden & Matt Pluck Bright Publishing LTD Bright House, 82 High Street, Sawston, Cambridgeshire, CB22 3HJ, UK Definition is published monthly by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge, CB22 3HJ. No part of this magazine can be used without prior written permission of Bright Publishing Ltd. Definition is a registered trademark of Bright Publishing Ltd. The advertisements published in Definition that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. Prices quoted in sterling, euros and US dollars are street prices, without tax, where available or converted using the exchange rate on the day the magazine went to press.
W ith the red carpets rolling out for awards season and the return of key industry events like BSC Expo, celebration and innovation are in the air this month – hopefully providing a fresh dose of inspiration for us all. Inside the issue, we’re peeking under the bonnet of productions including The Boys in the Boat , George Clooney’s latest directorial offering. Based on the true story of a university rowing team’s journey to the Olympics, the shooting of this stunning sports saga presented both challenges and triumphs, says DOP Martin Ruhe (page 12). We also take a trip to Graceland with cinematographer Philippe Le Sourd and colourist Damien Van Der Cruyssen, discovering how they created Priscilla ’s dreamlike aesthetic (page 38), as well as chatting to cinematographer Cristina Dunlap about tonal shifts and genre blurring in the acclaimed American Fiction . I got to indulge a fascination with the horror genre this month, too, chatting with the DOP on the last two Scream films, plus the creator of a new Mickey Mouse slasher film that’s been causing viral mayhem. Hammer Horror – one of the most iconic film brands to emerge from Britain – is also in the spotlight, as we find out more about the studio’s formidable legacy and recent resurrection, on page 52. On the gear side, there’s a round-up of the best new products and tech to get your mitts on, a chat about the latest LED evolutions, a look at lighting for virtual production, and a huge data round table to get stuck into as well. Enjoy the issue and see you next month!
Editor in chief
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