The ultimate magazine for next generation filmmakers
Editor in chief Adam Duckworth Chief sub editor Matthew Winney Junior sub editors Tabitha John & Kezia Kurtz Editorial director Nicola Foley EDITORIAL ADVERTISING Sales director Sam Scott-Smith +44 (0)7875 711967 samscott-smith@bright.uk.com Sales manager Emma Stevens +44 (0)7376 665779 emmastevens@bright.uk.com DESIGN Design director Andy Jennings Magazine design manager Lucy Woolcomb Senior designer Carl Golsby Graphic designer Hedzlynn Kamaruzzaman Junior designer and ad production Holly May PUBLISHING Managing director Andy Brogden MEDIA SUPPORTERS AND PARTNERS OF:
This must be seen as an opportunity. Creative businesses have to evolve, and so must we here at Pro Moviemaker . Next issue marks a major step forward. We’re relaunching the magazine as a bold platform designed to reflect the changing reality of contemporary video production. This means a broader, more inclusive direction that reflects the full spectrum of today’s video creators; a cleaner, more modern design that makes the magazine easier to read and more visually inspiring. Look forward to more pages packed with insight, reviews and practical knowledge. One brand-new section will be dedicated to the booming content creator economy, from YouTube and podcasting to social video. We will also be fostering a stronger digital presence, with expanded online content, newsletters and videos to support how audiences consume information today. At its core, our mission hasn’t changed. Every issue will still focus on the tools you use, the skills you need and the business of making a living. In an ever-shifting world, those fundamentals matter more than ever. As the industry moves forward, so will we – staying true to what matters while embracing what’s next. Enjoy this issue, and here’s to a brighter future.
Not only have we just lived through a global pandemic that reshaped how we work and communicate, but we are now navigating a world of increasing economic uncertainty, shifting trade policies and ongoing conflicts. These aren’t distant headlines. They ripple through every industry, including ours. Filmmaking is tied to global supply chains, tech trends and the cost of doing business. Right now, even something as simple as storage is affected. Not long ago we marked World Backup Day, and it’s fitting we’re seeing a surge in demand for SSDs and hard drives from AI companies buying in vast quantities to power machine-learning infrastructure. Prices are climbing fast and showing no signs of ever coming back down. It’s a reminder the tools we rely on are part of a much bigger ecosystem. Sony has even stopped making memory cards due to a shortage of semiconductors. Change is everywhere and our industry is no exception. Even the definition of a filmmaker has changed. It’s no longer just indie directors and big-budget production crews working on long-form projects. Today’s industry is powered by content creators, small production companies, hybrid shooters and digital entrepreneurs.
Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridgeshire CB22 3HJ
Pro Moviemaker is published bimonthly by Bright Publishing Ltd, Bright House, 82 High Street, Sawston, Cambridge CB22 3HJ. No part of this magazine can be used without prior written permission of Bright Publishing Ltd. ISSN number: 2045-3892. Pro Moviemaker is a registered trademark of Bright Publishing Ltd. The advertisements published in Pro Moviemaker that have been written, designed or produced by employees of Bright Publishing Ltd remain the copyright of Bright Publishing Ltd and may not be reproduced without the written consent of the publisher. The content of this publication does not necessarily reflect the views of the publisher. Prices quoted are street prices. In sterling they include VAT (unless otherwise stated), but US dollar prices are without local sales taxes. Prices are where available or converted using the exchange rate on the day the magazine went to press.
ADAM DUCKWORTH, EDITOR IN CHIEF
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