CINE LENS SPECIAL
For your money, you’ll get a perfectly matched set which are hardly cheap, but significantly less than a range of flagship Zeiss Supremes. Yet the look they deliver gets close to the classic Zeiss Supreme style, and the wide T stop makes it easy to get really shallow depth-of-field for a cinematic aesthetic. The typical Zeiss
but this will only be in other mirrorless mounts. The lenses can be bought as a complete E-mount set, with a lens case, at £24,000/$25,950, or individually from £4200/$4990. But if you change camera system, there should be suitable mounts available to make the switch fast and relatively inexpensive.
it is an all-Zeiss workflow, it should work flawlessly for virtual production and VFX. If that’s your bag, it’s worth investigating. But for most indie filmmakers, it’s not a priority investment. In terms of cash outlay, the Nano Primes could have their mounts changed to fit different cameras when available,
NANO LUST The full set of Zeiss Nano lenses is enough to set the hearts of pros racing
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