AWARDS
GEAR OF THE YEAR
ACCESSORIES Filmmakers know that creating
a higher bit rate or even Raw files to be outputted, and some are now connected devices for cloud workflow or live streaming. Meanwhile, the Atomos range has expanded, as the Ninja V+ and larger Shogun have now been upstaged by the new Atomos Ninja Ultra and Shogun Ultra. The Blackmagic Video Assist 12G HDR 7in is a capable unit and can be used for Blackmagic Raw codecs. Also, check out the SmallHD Ultra 7 and Cine 18 4K monitors. Memory cards and hard drives always seem to get faster, safer, bigger and cheaper per gigabyte. This year, Sony released a Tough CFexpress Type B card in a massive 1920GB size. That might be too much for most filmmakers, so the
great work requires more than just cameras and lenses. They need to invest in accessories, which are just as important – and often cost as much. Plus, they’re expected to deliver every time. From lighting to memory cards, hard drives, monitors and software, our shortlist includes the best kit you can buy. You’ll also need a bag to protect your gear and get it safely to the location. For something tough with maximum protection, hard cases rule – and Peli has long been the brand others aspire to match. The Peli 1535 Air is light yet strong, while being legal for airline carry-on in most countries. Manfrotto’s Pro Light Reloader Tough-55 Highlid is another hard case to make the list. You may even prefer a roller bag such as the Shimoda Action X70 HD or DV Roller, the Tenba Cineluxe Roller 21 and Lowepro Pro Trekker RLX 450 AW II. Or consider a backpack like a Lowepro Pro Trekker BP 650 AW II, Peak Design Travel Duffelpack 65L, Tenba Cineluxe Shoulder Bag 21 Hightop or the Think Tank Airport Essentials backpack. Camera-top monitors and monitor/recorders have evolved from simply showing a larger view with tools like waveforms and false colour. They now allow
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PRO MOVIEMAKER
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