NEWS
maintains the same overall design and dimensions as its predecessor, measuring around 150x104x87mm and weighing just 883g/1.95lb. This will be the lightest model in the 102-megapixel GFX System and its small form factor makes it ideal for use on gimbals or drones. The camera is built for ultimate image quality and offers ISO 80 to be used within the normal sensitivity range. Fujifilm says the improved microlens of the new sensor increases the efficiency of light utilisation at the edge of the sensor, giving a boost to image quality and AF accuracy. The GFX100S II includes 20 Film Simulation modes, including Reala Ace, which combines faithful colour reproduction and high-contrast tonality. For stills, the camera also includes a Pixel Shift Multi-Shot feature, which enables 4x resolution and improved colour
“An improved feature is the AI-driven autofocus with intelligent subject detection” reproduction. This function employs the IBIS system to shift the sensor by 0.5 pixels at a time and shoot 16 Raw images in quick succession. Dedicated Pixel Shift Combiner software is used to merge the files and create a 400-megapixel image. By changing the controls to combine four Raw files shot by shifting one pixel at a time, an image of approximately 100 million pixels can be generated. fujifilm-x.com
FAR OUT FUJIFILM PRIME The longest telephoto lens to fit Fujifilm’s GFX System is the new GF500mm f/5.6 R LM OIS WR, which is equivalent to 396mm in 35mm format. When combined with the GF1.4X TC WR teleconverter, it gives the view of a 700mm lens, which is equivalent to 554mm in 35mm. Priced at £3499/$3499, the lens uses 21 elements in 14 groups, with two Super ED and five ED, to suppress chromatic aberration specific to a super-telephoto. The lens weighs 1375g/3.03lb, which is much lower than conventional large format telephoto lenses. A weather-resistant build withstands temperatures down to -10°C. It’s sealed at 18 points on the lens barrel, and the front element is coated with fluorine for the purposes of water-repellency and anti- smudge. The optic offers a six-stop image stabilisation performance. An internal focus system uses a linear motor for fast and silent autofocus with a minimum delay of 0.31 seconds. There is a Focus Preset button and a Focus Limiter, allowing the lens range to be restricted to avoid unnecessary hunting. This can effectively shorten AF time when photographing a subject 5m away or more. A Focus Control button at the front edge of the lens barrel is customisable.
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