Definition March 2021 - Web

CAMERA L I STINGS

BLACKMAGIC DESIGN POCKET CINEMA 4/6K

CANON EOS C500 MARK II

CANON C70

CANON EOS C700 FF

SPECIFICATION

Four Thirds CMOS, 18.96x10mm, 4096x2160 or 6144x3456 Super 35 sensor for the 6K camera

SENSOR – FORMAT AND SIZE

4K Super 35mm Dual Gain Output (DGO) Sensor

Full-frame CMOS, 38.1mmx20.1mm, 5952x2532

5.9K full-frame CMOS sensor

4K – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60fps, windowed HD 120fps 6K – up to 4KDCIp23.98, 4KDCIp24, 4KDCIp25, 4KDCIp29.97

Cinema Raw Light: 5952x3140/4096x2160: 1 -60fps/2048x1080 (2K Crop) 1-120fps

4K recording up to 120fps, 2K (crop) recording up to 180fps, audio recording at normal frame rate possible

5.9K Raw 60/59.94/50/30/29.97/ 25/24/23.98fps, 2K cropped to 168fps with external recorder

FRAME RATES

Canon EF mount with Cinema Lock/PL mount (Cooke/i Technology compatible)

Canon EF mount. B4 mount lens via adapter accessory (EF or PL)

Canon RF Mount, EF compatible with EF EOS R Mount Adapter

Active MFT/Active EF for 6K camera

LENS MOUNT

4096x2160, 3840x2160, 2048x1080, 1920x1080, XF-AVC, ProRes, 5952x3140, 5952x2532, 4096x2160, 3840x2160, 2048x1080 Canon Raw to recorder

4K – up to 4096x2160, 10-bit ProRes 422 and 12-bit BRaw 6K – up to 6144x3456, 50fps, ProRes 422 HQ QuickTime, BRaw

Cinema Raw Light: 5952x3140, 2.1Gbps, 30mins 4096x2160, 1Gbps, 65mins 2048x1080, 250Mbps, 270mins

XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit MP4 H.265/HEVC, 4:2:2 10-bit MP4 H.264, 4:2:0 8-bit

RECORDING OPTIONS

EXPOSURE LATITUDE

Canon Log 2: 1600% / 16+ stops Canon Log 3: 1600% / 14 stops

13 stops for both cameras

N/A

15 stops

PANAVISION DXL2

RED DRAGON-X 5K

RED GEMINI 5K

RED HELIUM 8K

SPECIFICATION

16-bit, 35.5-megapixel CMOS. 40.96mmx21.60mm (diagonal: 46.31mm). Resolution is 8192x4320

SENSOR – FORMAT AND SIZE

Dragon-X 5K, 5120x2700, 25.6x13.5mm CMOS

Gemini 5K 5120x3000, 30.72x18.0mm CMOS

Helium 8K 8192x4320, 35.4 megapixels, 29.90x15.77mm CMOS

75fps at 5K full height 1.7:1 (5120x3000), 96fps at 5K full format (5120x2700), 120fps at 5K 2.4:1 (5120x2160), 120fps at 4K full format (4096x2160), 240fps at 2K

60fps at 8K full format (8192x4320), 75fps at 8K 2.4:1 (8192x3456), 120fps at 4K full format (4096x2160), 150fps at 4K 2.4:1 (4096x1728), 240fps at 2K

Up to 60fps at 8K Full-Frame (8192x4320), 75fps at 8K 2.4:1 (8192x3456)

96fps at 5K full format (5120x2700), 120fps at 5K 2.4:1 (5120x2160), 300fps at 2K (2048x1080)

FRAME RATES

PL

EF, F, PL, Leica M

EF, F, PL, Leica M

EF, F, PL, Leica M

LENS MOUNT

In Raw 8K you get Redcode, 8K Raw, 5:1 vista vision, 60fps, 72 at 7K, 80 at 6K, 96 at 5K

RECORDING OPTIONS

Redcode Raw, ProRes 4444 XQ, 422 HQ, DNxHR HQX

Redcode Raw, ProRes 4444 XQ, 422 HQ, DNxHR HQX

Redcode Raw, ProRes 4444 XQ, 422 HQ, DNxHR HQX

EXPOSURE LATITUDE

N/A

16.5+ stops

16.5+ stops

16.5+ stops

32 DEF I N I T ION | MARCH 202 1

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