POST-PRODUCTION THE CRAFT OF THE COLOURIST
ELLA SORYL Based at Platform Post, Ella’s worked on top productions including Channel 4’s Kids and BBC’s Horrible Histories “G rowing up, I remember falling in love with cinema, not only because of the storytelling: I was attracted to art created by light,” reminisces Ella Soryl, a colourist with Soho-based post-production house Platform. Fascinated by the effects of colour and light, she spent her teenage years designing light installations for events – and when she discovered the field of colour grading, she knew it was a perfect match. Working across a wide range of genres, Soryl adapts to each project’s unique needs. “With scripted work, I tend to get involved in pre-production, which I prefer, as this streamlines the process and allows me to influence the tone of the show before the shoot,” she explains. Becoming involved at the pre-production stage also minimises potential issues around complicated scenes, such
VERDANT VIEWS Ozkilicci made the stunning fjords of Norway sing on Songs of Earth
project hinges on the colourist’s ability to decipher and actualise the visual intent of the creators; translating their vision for the project into reality, and building upon the groundwork established by the art department and the DOP. Challenges can and will arise, he insists, so good communication is always key. “I’ve come to realise the paramount importance of listening in the field of colour grading,” he comments. “While some colourists lean more towards artistic flair, others towards technical prowess and some excel in client interaction, I firmly believe that the ability to listen to clients and understand their needs is a defining skill. This often gives a colourist an edge, allowing them to meet and even exceed expectations.” In parting advice for aspiring colourists, Ozkilicci advocates exploring creative media of all varieties, and a steadfast commitment to continual learning. “Colour grading is a blend of art, technology and psychology. Beyond technical skill, immerse yourself in many art forms – cinema, music, literature, painting, photography,” he concludes. “This broadens your perspective and fuels creativity. Stay curious and avoid comfort zones; they can stifle creativity. And, if possible, travel. The world offers endless visual and cultural experiences to draw from. Lastly, be patient and kind to yourself and others.”
highlighting FilmLight’s facial tracker as a time-saving marvel used daily. “I foresee ML enhancing efficiency in colour grading, allowing us to concentrate more on the nuances of our craft. In the future, I anticipate it handling basic neutral shot balancing,” he predicts. “However, ML autonomously creating unique, visually captivating looks for high-resolution images with minimal human intervention remains a distant reality for now.” Whatever software and gadgets are in play, for Ozkilicci, the success of a IMMERSE YOURSELF IN many art forms. THIS WILL broaden perspectives ”
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