It’s showtime in our latest issue! With The Photography and Video Show 2025 taking place at London Excel from 8-11 March, issue 120 features a whole host of content that is designed to help you get the best from this fantastic event. Not only is there a free map and exhibitor list, but we have also provided a list of top exhibitors for you to check out. On top of all that, we test the Nikon Z 50II, the Fujifilm XF500mm f/5.6 and the latest Lowepro Protactic Lite backpack. You can also find award-winning images, advice on buying used and hiring, plus, all the biggest news stories.
ISSUE 120 4 Mar-5 May 2025 photographynews.co.uk FREE
MAP INSIDE Special show section including floor plan and list of exhibitors
ISSUE 120 4 Mar-5 May 2025 photographynews.co.uk
Pg13 Prized pictures / The winning images from AMPA 2024
Pg19 Big test: Nikon Z 50II / Nikon’s latest hybrid gets the PN treatment
Pg31 Photo & Video Show / Our top picks at Excel London for the 2025 event
The Photography & Video Show swaps Birmingham for London, arriving at the Excel exhibition centre for the first time from 8 to 11 March
specifically for content creators. This year, it features top names and influencers, as well as the immersive Creator Playground. It’s the perfect space to capture both unique and inspiring content, connect with like-minded individuals and fully immerse yourself in the vibrant creative community. The Photography & Video Show takes place each day from 10am to 5pm. Standard single-day tickets start from £18.95, with various multi-day passes also available at discounted rates. If you’re a student, working professional or member of the trade, you could be eligible for free entry, subject to verification. Don’t miss this exciting event as it makes its London debut. Join the Photography News team alongside thousands of like-minded creatives at Excel London for an unforgettable experience celebrating the art, craft and technology of image-making
THE PHOTOGRAPHY & Video Show is set to make its debut at the Excel London venue from 8 to 11 March 2025. This move to the capital marks a fresh chapter for the photography, video and content creation event. Attendees can look forward to exploring the latest equipment from over 250 leading brands, including Canon, Nikon, Sony and Fujifilm. It’s the perfect opportunity to get hands-on with gear, seek advice from industry experts and take advantage of exclusive show deals. Beyond the impressive exhibitor line-up, the event boasts a rich programme of more than 500 talks and live demonstrations. Renowned photographers and filmmakers will share their insights across a variety of genres, from landscape photography to social media content creation. Whether you’re looking to refine your skills or find inspiration, there’s something for everyone. A highlight of this year’s show is the return of CreatorCon, designed
together – all in one place. photographyshow.com
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New OM-3 harks back to analogue ancestor
EDITOR’S LETTER PETE TOWNSHEND
Welcome to issue 120! As I sit here writing this, it strikes me that I can feel the ends of my toes without the central heating on: a sure sign that spring is on the way. That means daylight commutes, daffodils adding some colour to the verges and heavenly birdsong filling the air. But it’s not only the UK’s wildlife that’s once again venturing out into the open – the same can be said for the nation’s photographers. Yes, that’s right, March brings with it the much-anticipated return of The Photography & Video Show, which is set to attract imaging enthusiasts from up and down the country, hungry for inspiration, conversation and all the latest gear. The year’s most anticipated
II are compact, lightweight primes that offer equivalent focal lengths of 35mm and 50mm, respectively. The headline update with these new models is that they now both feature weather-sealed construction. According to OM System, by the time you read this the OM-3 will be available at a suggested retail price of £1699 body only. A kit including the OM-3 body and M.Zuiko Digital ED 12-45mm f/4 Pro lens will be priced at £1999. The same is true for the 17mm f/1.8 II and 25mm f/1.8 II, which will retail at £479 and £399, respectively. explore.omsystem.com
OM SYSTEM HAS announced the release of the OM-3 mirrorless camera alongside two updated prime lenses – the M.Zuiko Digital 17mm f/1.8 II and 25mm f/1.8 II. Drawing inspiration from the OM-1 film camera, the OM-3 enjoys a vintage-style, weather-sealed body weighing less than 500g. Inside, it hosts a 20.4-megapixel BSI sensor, powerful 7.5-stop IBIS and up to 120fps burst shooting. The camera offers adjustable colour and monochrome profiles to allow for varied creative outputs. It also includes in-camera processing
options such as Live ND/GND, focus stacking and HDR. When it comes to video, the OM-3 is capable of 4K/60p 10-bit footage internally, with OM Cinema profiles and extended recording functions to support high-quality production. All things considered, this is a camera clearly aimed at content creators, and we think it looks great on paper. Watch this space to see how it stands up to a PN test. Alongside the camera, OM System has introduced updated versions of two of its prime lenses. The M.Zuiko Digital 17mm f/1.8 II and 25mm f/1.8
Aside from that, there is plenty more to enjoy. This issue’s big test takes a deep dive into the features and capabilities of the Nikon Z 50II, with Will Cheung leaving no stone unturned. We also have first tests focusing on the formidable Fujifilm XF500mm f/5.6 telephoto prime lens, as well as the all-new Lowepro Protactic Lite BP 250 AW III backpack – both of which made a strong impression. Other features include advice on buying second-hand gear, renting equipment or doing both, plus all the biggest news stories from the world of photography. Whether it’s new equipment, exhibitions, competitions or events, you’ll find it all on the following pages. We hope you enjoy the read – and also the show! Until next time.
show will take place in its new venue, Excel London, from 8 to 11 March and, as usual, you can rely on us to provide you with the definitive guide. To make the most of a show this big, thorough planning is essential. Therefore, inside this issue of Photography News , you’ll find a handy four-page pullout containing a map of the entire exhibition hall to show who’s where and a full exhibitor list, plus a preview feature packed with our highlights. This combination means you have everything you need to plan your perfect day. Pete Townshend
ON THE GO The OM-3 is the ideal pick for mobile photographers
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What’s inside 03 News It’s been a mixed bag in the news, with everything from the new OM-3 and Red’s first Z mount cinema cameras, through to portable flashes, photo booths and fashion exhibitions 11 Samsung word search Work out which word is missing and you could win a 512GB Samsung memory card
13 Prize-winning inspiration A thrilling selection of successful pics from the Amateur Motorsport Photography Awards 15 Buyers’ guide: printing and display Give your photos the longevity they deserve with our buyers’ guide to printing and display – from printers and papers to picture frames 19 Big test: Nikon Z 50II Nikon’s nifty little hybrid is aimed squarely at content creators, but how does it compare in such a competitive market? 25 Photo & Video Show guide Our handy pullout gives you everything you need to know ahead of this year’s show
43 Buy, borrow or both? Modern gear is expensive, so discover how renting and buying used can save you money while ensuring you make the right choice 49 First tests We test Fujifilm’s longest X Series prime – the XF500mm f/5.6 – and take the latest Lowepro Protactic Lite backpack out for a spin
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News
First Red Z mount cameras arrive Red Digital Cinema, now a subsidiary of Nikon, has announced the launch of its first Z Cinema cameras: the V-Raptor X Z mount and Komodo-X Z mount. These high-performance digital cinema cameras adopt Nikon’s Z mount system, providing filmmakers with greater flexibility and access to an extensive range of Nikkor Z and F mount lenses. The cameras combine Red’s proprietary colour science and image compression, while benefiting from the Nikon Z mount’s large diameter and short flange distance. According to Nikon, this enables sharper, more detailed footage across the frame. The V-Raptor X Z mount is Red’s flagship digital cinema camera, featuring a large format 8K VV sensor with a global shutter, high-frame-rate capabilities and the ability to capture over 20 stops of dynamic range. The Komodo-X Z mount houses a 6K Super 35 global shutter sensor, offering 6K recording at 80fps and 4K at 120fps. The compact design makes it a practical choice for more dynamic shooting environments. Both cameras are now available. red.com
Lexar’s hardest card Lexar has unveiled the Armor Gold SDXC UHS-II card, designed to offer improved durability in challenging environments. Built with a stainless-steel core, the Armor Gold card is said to be 37 times stronger than standard SD cards. It carries an IP68 rating, making it resistant to dust, water and drops from up to 5m. Additionally, it can withstand 370 newtons of pressure, offering protection against bending and impact. A ribless, switch-free design removes fragile components like the write-protection switch, reducing potential failure points. Instead of traditional labels, the card features laser-engraved markings, helping ensure long-term readability. The Armor Gold SDXC UHS-II card supports read speeds of up to 280MB/s and write speeds of 205MB/s, allowing for smooth 6K and 4K video recording. Its V60 video speed rating makes it suitable for high-resolution photography and fast-action shooting.
Available in capacities from 64GB to 1TB, the card is built to function in temperatures ranging from -25°C to 85°C and is optimised for use with a USB 3.2 reader. lexar.com Nikon’s new power zoom
Nikon has recently introduced the Z 28-135mm f/4 PZ lens, its first full-frame Z mount lens designed primarily for video production. Aimed at independent filmmakers and small production teams, the lens provides 8K-compatible optics within a compact and lightweight design, weighing just 1210g. The lens is intended both for handheld and gimbal use, providing servo-powered zoom with 11 adjustable speeds for smooth focal transitions. According to Nikon, the linear manual focus system enables precise, repeatable adjustments. The lens also supports position recall for consistent framing between takes. A Hi-Res Zoom mode extends the focal range when filming in 4K. A yellow ring around the mount identifies the lens as a video-specific model, and it is compatible with matte boxes and follow-focus systems. Nikon’s Meso Amorphous Coat technology is included to minimise glare and ghosting.
Plus, the lens features ease-in and ease-out zoom transitions, weather-resistance and remote operation options. The new power zoom is set for release in April 2025, with a retail price of £2499. nikon.co.uk
NEW ONLINE COURSE AVAILABLE NOW Photography theory Level: Beginner (no photography knowledge required) Number of lessons: Ten Format: Online Scheduled email delivery : Yes Cost: Free
Our free photography theory course provides a comprehensive introduction to photography theory. The ten lessons cover all the essentials you need to develop a strong foundation in photography, including the exposure triangle and the effects of aperture, shutter speed and ISO – along with composition, lighting, camera functions and post-processing. By the time you have completed this course, you’ll possess a solid basic understanding of all aspects of the image- making process – the perfect foundation from which to build your knowledge. photographynews.co.uk/learning
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The photo booth is turning 100! This year, Autofoto, a company
To mark this centenary, Autofoto has organised events highlighting the historical and artistic significance of the photo booth. The celebrations began in February at Spitalfields Market in London with The Real Selfie Project: an initiative exploring photography and self-portraiture. Other key UK events include an exhibition at The Photographers’ Gallery, an installation at Photo London in May and activities at Stills Centre for Photography in Scotland. To find out more, visit the website. autofoto.org
dedicated to preserving and restoring vintage photo booths, is coordinating a variety of activities around the UK, the US and beyond to celebrate the 100th birthday of the photo booth. Originally introduced in 1925 by Anatol Josepho, the coin-operated Photomaton became a hit in New York, drawing hundreds of thousands of users. Over the following decades, photo booths became a public staple, used by everyday people and made iconic by cultural figures such as Andy Warhol and the Beatles.
Elinchrom’s first continuous LED Elinchrom has announced the release of its first
you can keep using the light while it charges, ensuring uninterrupted performance when you need it most. It is controlled by a mixture of click dials, touchscreen interface and Bluetooth via the app, and is compatible with existing Elinchrom OCF, full-mount and Profoto- mount light shapers. The single-light kit costs £415.83 (ex VAT), while the dual kit is available for £749.16 (ex VAT). elinchrom.com
continuous LED light – the Elinchrom LED 100 C. Features include a 2700K-6500K colour temperature range, RGB colour control and 15 built-in effects for videographers. Weighing 0.91kg and measuring 17.2x10x10.2cm without the tilt head attached, the LED 100 C is designed with portability in mind. Its built-in battery allows up to 40 minutes of at full-power. Plus, with a USB-C port,
Godox introduces compact flash series
for different settings. Weighing 78g, it operates on two AAA batteries, delivering up to 230 flashes. It also features seven power levels, from 1/64 to full power, for greater control over your light output. Lastly, the iA32 includes manual and auto modes, an adjustable flash head (-7° to 90°) for bounce lighting and a guide number of 15 (ISO 100). Powered by AA batteries, this delivers up to 490 flashes with a 2.5-second recycling time. The unit also provides eight power levels in 1/3 increments for precise adjustments. The iFlash series will launch soon, starting at £28.99. godox.com
Godox has announced the release of the iFlash series – a new range of compact flash units. The series includes the iM20, iM22, iM30 and iA32. The iM20 and iM22 are lightweight flash units, weighing in at 31g and 34g. Ideal for travel and everyday photography, they offer five power levels, a built-in lithium- ion battery for up to 440 full-power flashes and USB-C charging. Both models offer five adjustable power levels and are compatible with most cameras that feature a centre- contact hotshoe. The iM30 provides a guide number of 15 (ISO 100), offering illumination suitable
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New Lumix S1R II full- frame flagship Panasonic has announced the Lumix S1R II, the latest in its full-frame mirrorless Lumix S Series. It features a 44.3-megapixel BSI CMOS sensor and L2 processing engine. It offers 8K video at 14 stops of dynamic range, a first for the Lumix line-up. The camera boasts Phase Hybrid AF at 40fps bursts, AI- assisted subject recognition, 8-stop IBIS and cropless electronic image stabilisation for extra-smooth video. The Lumix S1R II body will release in March 2025 priced at £2999, while the kit version will be available for £3799. Panasonic will also introduce the DMW- BG2 battery grip, priced at £299. panasonic.com
Superfast Z 35mm Joining Nikon’s S-Line lens range, the Z 35mm f/1.2 S has now been launched. Designed for both still photography and video production, this new lens features a wide f/1.2 aperture, delivering strong low-light performance, subject isolation and pleasing bokeh. The Z 35mm f/1.2 S includes With a multi-focusing system, the lens is designed to provide quick and precise autofocus, supported by dual stepping motors for smooth and quiet operation. According to Nikon, focus breathing is suppressed, which is designed to appeal to filmmakers needing seamless focus shifts.
Summilux-M 50mm f/1.4 receives update
Constructed with weather sealing, the lens supports 82mm filters and includes customisable controls for flexible handling in different shooting orientations. It is priced at £2899. nikon.co.uk
advanced optics for enhanced image clarity and sharpness. Nikon’s Meso Amorphous, Arneo and Nano Crystal Coats are all incorporated to help minimise flare and ghosting.
This adjustment allows for closer subject proximity while maintaining the lens’ characteristic image quality. Manufactured in Germany, the lens is made from solid brass and includes a vintage- style round lens hood. The Summilux-M 50mm f/1.4 is available at a retail price of £3310. leica-camera.com
qualities while benefiting from modern production methods and specialised glass elements, which work together to enhance sharpness and contrast when stopped down. A notable improvement in the updated version is an increased close focusing distance of 0.7m, providing flexibility for photographers, particularly in portrait work.
meeting contemporary photographic needs. The new Summilux- M 50mm f/1.4 follows the optical design of the second version of the lens, produced from 1962 to 2004. This version is beloved for its rendering characteristics, particularly its soft bokeh at wide apertures. The updated model retains these
Leica has released a revised version of its Summilux-M 50mm f/1.4, incorporating classic design elements with upgraded optical technology. The latest addition to the Leica Classic Line maintains the legacy of the original Summilux lens – first introduced in 1959 – while integrating improvements aimed at
Coolpix P1100 revealed
The camera uses Nikon’s Expeed image processor and a Nikkor lens. Dual Detect Optical Vibration Reduction (VR) is designed to offer stabilisation equivalent to 4.0 stops, reducing the effects of camera shake at long focal lengths. Additionally, the P1100 supports 4K/30p video recording, as well as super-lapse and time-lapse modes. The camera weighs 1410g and features a deep grip for handheld stability, along with a focus mode selector and control ring for quick access to settings such as white- balance and manual focus. The camera is available to buy now, priced at £1049. nikon.co.uk
The Coolpix P1100, a compact digital camera with 125x optical zoom, has been unveiled by Nikon. The model builds on the features of its predecessor, the Coolpix P1000. The P1100 offers a 24-3000mm focal range, covering a variety of genres – from landscape to wildlife. The Dynamic Fine Zoom extends the range even further to 250x (6000mm equivalent), providing extra reach for super-detailed shots. A new selectable AF-area option in bird-watching mode enhances focusing precision. Plus, users can assign functions to the Fn1 or Fn2 buttons on the optional ML-L7 Remote Control, offering increased control during remote shooting.
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WhiteWall
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Effortless style Discover how WhiteWall’s Changeable Magnetic Frame brings style, simplicity and endless possibilities to your home decor
them for years to come. There are also four different glass options to choose from, including anti- reflective museum glass to minimise glare and keep your images looking sharp and true to life. Making life easier Practicality extends beyond the frame’s design. Each print you order can be custom-sized to your exact specifications, up to a statement- making 140x120cm. A neat code system behind the frame helps you reorder the correct-sized prints, ensuring you’re always ready for your next display change. Whether you’re envisioning a rotating gallery wall or simply seeking a versatile single centrepiece, WhiteWall’s Changeable Magnetic Frame offers a hassle-free, stylish solution.
Revamp your interior aesthetic The Changeable Magnetic Frame isn’t just about convenience; it’s also a sophisticated design piece that enhances virtually any room. Crafted from sleek aluminium, each frame can be finished in classic matte black, understated matte white or modern matte silver. These minimalist options provide a subtle backdrop that lets your images truly shine without being overshadowed by an overly ornate border.
freedom to experiment. Are you drawn to seasonal decor changes? Simply swap out a vibrant summer beach shot for a cosy autumn landscape – no need for extra tools or professional assistance. Perhaps you want to celebrate an important milestone, such as a wedding or graduation. With this frame, you can rotate in those new images to keep your gallery up to date. It’s a perfect solution for everyone, from professional photographers looking to showcase their latest work to families who love displaying fresh memories around the house. Quality you can count on As with all WhiteWall products, the Changeable Magnetic Frame is backed by a reputation for premium craftsmanship. The brand’s dedication to detail ensures that every component meets the highest standards of durability and performance. The frame’s snug fit protects your photographs from dust and damage, preserving
To further personalise your display, WhiteWall offers an extensive selection of passe-partout colours, letting you create subtle or dramatic accents around each print. Whether you’re a fan of bold contrasts or prefer a more toned-down approach, there’s a combination to suit your vision. Graceful versatility One of the biggest advantages of a magnetic frame system is the
HAVE YOU EVER wished you could easily update your wall art to match your evolving style or highlight new photos? WhiteWall’s Changeable Magnetic Frame makes that possible. Instead of wrestling with finicky hardware and time- consuming set-ups, you can swap out prints in mere seconds, creating a dynamic, ever-changing gallery – no tools required. The magic of a magnetic system At the core of this design revolution is a discreet yet powerful set of magnets that line the interior of the frame. By gently pressing on the glass, you release the magnetic hold and can lift off the frame’s front. From there, it’s a simple matter of popping in your new print and aligning it precisely as you see it – no blind manoeuvring or crooked corners. Once you press the frame back into place, the magnets snap together, ensuring your image is securely held and always perfectly positioned for display.
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News
A busy day for Sigma Sigma has announced two new lenses, a full-frame mirrorless camera and refreshed brand identity all in one day. The launch includes a superzoom, an ultra-telephoto zoom and minimalist full-frame mirrorless, all to be rolled out from April 2025, as well as an updated look for the brand. sports and wildlife photography. It features high-speed autofocus driven by an HLA motor, 5.5 stops of optical stabilisation and a magnesium alloy body with thermal insulation paint. The lens construction for mirrorless APS-C cameras. Covering focal lengths from wide angle to super- telephoto, it includes high-speed autofocus
via an HLA motor, six stops of image stabilisation at the wide end and a 1:2 macro capability at 70mm. The lens is compatible with Leica L-Mount, Sony E-mount, Fujifilm X Mount and Canon RF mount. Sigma has also introduced the BF, a full-frame mirrorless camera with a 24.6-megapixel sensor. The camera features a unibody aluminium design, pressure-sensitive haptic buttons and 230GB of internal storage. Additional
consists of 28 elements in 21 groups, with FLD and SLD glass elements to minimise aberrations. It will be available in Leica L-Mount and Sony E-mount. The 16-300mm f/3.5-6.7 DC OS Contemporary is a
The 300-600mm f/4 DG OS Sports lens is an ultra-telephoto zoom designed for
Canon has announced the release of the RF 16-28mm f/2.8 IS STM ultra-wide zoom lens. The lens provides a 16-28mm focal range and constant f/2.8 aperture, which will interest landscape, interior and travel photographers. Key features include 5.5 stops of optical image stabilisation, increasing to eight stops when paired with EOS R Series cameras equipped with in-body stabilisation. With a maximum length of 91mm and a weight of 445g, the lens is compact enough to suit travel photographers or those seeking to minimise gear bulk. Optical design includes two aspherical and four UD lens elements enhanced by Canon’s Super Spectra Coating, which Canon claims improves sharpness and reduces aberrations. The nine-blade circular aperture produces smooth bokeh, and its weather-resistant construction can handle challenging conditions. The RF 16-28mm f/2.8 IS STM costs £1249.99. canon.co.uk Canon’s constant ultra-wide zoom
new all-in-one zoom lens offering a world- first 18.8x zoom ratio
features include 13 built-in colour modes, 6K video recording and a hybrid AF system supporting subject detection. The BF will be available in black and silver. Finally, the company has also unveiled a rebrand, with updates to its logo, colour palette and box designs, saying it ‘celebrates our technical precision and
manufacturing excellence, with a nod to Japanese soulfulness and elegance that underpins our design philosophy’. sigma-global.com
Eizo has announced the Coloredge CG2400S, a 24.1in colour management monitor that’s the first in the series to feature HDR workflow support. The Eizo Coloredge CG2400S offers a WUXGA (1920x1200) resolution on a 24.1in display, with a contrast ratio of 1800:1, the highest in the Coloredge CG line-up. This is intended to enhance black levels and shadow details. A retardation film is also included to mitigate colour distortion from viewing angles and maintain tonal consistency. For HDR workflows, the CG2400S supports hybrid log- gamma and perceptual quantization curves for increased accuracy. USB Type C input enables a single-cable connection to laptops, providing up to 70W of power, which might reduce the need for an additional laptop charger. The monitor includes Eizo’s built-in calibration tech and Color Navigator 7 software, to automate colour accuracy maintenance without external calibration tools. It is scheduled for release in April 2025. eizo.eu Eizo Coloredge line-up grows
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A Samsung memory card! WIN!
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PQCCBHFDEER O Q O U L S I R I T K RNAWUSASOEV DROPEBJWHGT W D R I B K C A L B I O E Y I E H T K G L T NOTGLFSESZE SMNLLOGRQ I U Z W E I L X N T U N L M O R D S T I E I R B TRWOOCLERHO ZRGFCVRSRYP UASFRSAOEA I I PYAOZTRLCL LSWDCKSME I S U H A I U N W I Q N W HEYSSSJRJTO E P I L U T N P D H C Samsung’s Pro Ultimate high-speed micro SD can be used in drones, action cameras, smartphones and more. A standard SD adapter maximises versatility, while read/write speeds of 200 and 130MB/s make this UHS-I U3 card perfect for high-quality imaging. Resistant to water, temperature, X-rays, magnets, drops and wear, it’s ready for adventure. Complete the word search below, comprising names of flowers, birds and animals you’d expect to see in spring, and you’ll find one word in the list that’s not in the grid. Email us on puzzle@photographynews.co.uk with that word in the subject box by 2 May 2025 and the card will be yours if your name is drawn at random from all the correct entries received. Only entries from UK residents will be accepted. Congratulations to Ursula McDermott from Selby, our winner from issue 118. The missing word from issue 119 was ‘Tamron’. samsung.com/uk/memory-cards
World Press Photo 2025 – save the date
travel to over 60 cities worldwide, including London, Berlin, Montreal, Jakarta, Sydney and Rio de Janeiro. This year also marks the 70th anniversary of World Press Photo, with special events and exhibitions set to be revealed soon. Regional winners will be announced on 27 March 2025 with the World Press Photo of the Year revealed on 17 April 2025. For more
World Press Photo is back in 2025 to celebrate the best of press photography across the globe once again. Entries to the competition closed last month and the world premiere exhibition is set to take place in Amsterdam’s De Nieuwe Kerk from 18 April to 8 August. This prestigious contest attracts thousands of submissions from more than 100 countries, and highlights the most compelling visual stories from the past year. The exhibition will
details, visit the website. worldpressphoto.org
Editorial team Editorial director Roger Payne rogerpayne@bright.uk.com Editor Pete Townshend petetownshend@bright.uk.com Chief sub editor Matthew Winney Sub editors Zanna Buckland & Minhaj Zia Contributing writers Will Cheung & Ben Gawne Advertising team Sales director Sam Scott-Smith 01223 499457 samscott-smith@bright.uk.com Senior sales executive
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EIZO
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Find out why the EIZO ColorEdge CG2700X was named Editor’s Choice in the Photography News 2024 Awards EIZO ColorEdge CG2700X: Award-winning precision
across the entire screen. This consistency is vital for anyone who needs precise image editing, whether for large exhibition prints or commercial work. Add to that HDR support, which means your images and videos will be displayed with the best depth and vibrancy. Whether you specialise in portraits, landscapes or product shots, the CG2700X is equipped to handle it. Its wide colour coverage ensures all those subtle nuances – be it delicate skin tones or vivid sunsets – are faithfully reproduced. The 4K resolution enables a zoom function for retouching, so you can easily spot and correct even the tiniest imperfections. The integrated LAN port and convenient USB-C connectivity also simplify cable management, helping busy professionals keep a tidy desk and a straightforward set-up. EIZO prides itself on producing durable, dependable equipment
THE EIZO COLOREDGE CG2700X’s recognition in the Photography News 2024 Awards highlights its superb colour accuracy, impressive 4K resolution and accessible design – essential for anyone aiming to achieve the best in image quality. At 27 inches, the CG2700X offers a 4K UHD (3840x2160) IPS display that delivers stunning detail and “ A key selling point is the built- in calibration sensor, which eliminates the hassle of using separate devices ”
clarity. Its slim bezels and adjustable stand make it a sleek and practical choice for any creative workspace. Every aspect of this monitor is designed to help you work more comfortably and consistently. A key selling point is the built-in calibration sensor, which eliminates the hassle of using separate devices. This sensor can be scheduled to perform self-calibration at convenient times – even when the monitor is switched off – ensuring that colour accuracy remains rock-solid without interrupting your workflow. Alongside this, the CG2700X covers around 99% of the Adobe RGB colour space and 98% of DCI-P3, allowing photographers to edit confidently, knowing they’re seeing true-to-life shades that match how prints or digital presentations will appear. The monitor also has the Digital Uniformity Equalizer (DUE) that stabilises brightness and colour
critical work with ease, making it a truly indispensable monitor for photographers. If you’re ready to elevate your editing workflow, the CG2700X is a clear choice that won’t let you down.
that stands the test of time. This reliability is crucial for
photographers, whose livelihoods depend on consistent, accurate tools. The CG2700X also comes with a five-year warranty and service support, giving you peace of mind that your investment is protected. With its impeccable colour accuracy, stunning 4K clarity and thoughtful design, the EIZO ColorEdge CG2700X handles everything from routine tasks to the most demanding colour-
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HUE’S THE BOSS? With a 10-bit simultaneous display and 16-bit LUT, the monitor renders over one billion colours
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Competition
LOVE IT OR hate it, motorsport is part of British culture, inspiring countless people with its thrills, spills, roars and screeches. The years of training, precision engineering, hours of tinkering – it all comes together in a crescendo of explosive excitement on race day. Add the very real element of danger that Revival, while Nicola Sim was named runner-up for her trackside image of classic touring cars in action. PN Prize-winning inspiration Amateur Motorsport Photography Awards 2024 WORDS BY PETE TOWNSHEND goes hand in hand with pushing a vehicle to the limits of its capabilities at breakneck speeds, and the result is electrifying. The Amateur Motorsport Photography Awards aims to celebrate not only this excitement, but also the passion and dedication of the individuals involved; plus, of course, the avid photographers that document it. The winners of the inaugural competition included a wide range of subjects and styles, from the tranquillity of the paddock at sunrise to the thrilling mid-race action. Les Gawin was the overall winner for his beautifully composed image of Goodwood The winners have now been announced in this inaugural competition and, going by the standard of entry, the only thing amateur about these awards is the name
HAVE A GO
› Open Late 2025 › Entry cost Free (up to five images) › Number of images Unlimited (costs apply for 6+ images) › Website tracksidefocus.com
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Buyers’ guide
Buyers’ guide
Many might argue that the romance of photography was lost with the advent of digital WORDS BY PETE TOWNSHEND Preserve your memories If you’re going to print your photographs, you need to do it right. Here, we run through our top picks for ensuring you do your masterpieces justice when showing them off to the world
together this guide to printing and displaying your photos. To help showcase your memories, you’ll find advice on six key areas. We’ve picked top companies excelling in each area so you get the best products and services.
– or discovering your grandparents’ old sepia-hued wedding album at the back of a cupboard. Would some of the magic be lost if you were swiping through HEIFs on an old hard drive (if the hard drive even still worked)? We think so. That’s why we’ve put
your photographs turns what can be a fleeting moment into a tangible keepsake. They are not at the mercy of constant software updates, cloud subscriptions or format obsoletion – they are there for as long as you have the physical space to keep them.
photography. There is something special about coming across a dust- covered shoebox full of prints from your youth when clearing out the loft
IN TODAY’S DIGITAL age, too many memories are lovingly captured but risk being lost in the cloud. Printing
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Buyers’ guide
Hahnemühle Best for paper
Your choice of paper has a huge influence on the final appearance of your print, affecting texture, colour reproduction and longevity. Hahnemühle, a German paper manufacturer since 1584, has a long history of producing exceptional fine-art papers. Its extensive range includes the Digital Fine Art Collection, featuring papers made from cotton, bamboo and other fibres, each offering unique textures and finishes. These papers cater for a wide spectrum of photographers – from black & white street specialists to landscape photographers capturing nature. › hahnemuehle.com
One thing’s for sure: if you’re going to commit your images to print, they need to look their very best. It’s perfectly possible to capture stunning images straight from the camera – especially with › affinity.serif.com Affinity Photo 2 Best for post-processing
Affinity Photo 2 from Serif is an excellent choice. Not only is it highly capable, with a host of pro-level features, but it’s also available for a one-off fee rather than a subscription, which, for us, is a big draw.
all the filters and settings available these days – but it’s still nothing compared to the flexibility professional image editing software gives you. It really can turn a great picture into an outstanding one.
Whitewall Best for displays
sleek aluminium frames and innovative magnetic frames that allow for effortless artwork changes. These magnetic frames are particularly beneficial for those who enjoy refreshing their displays regularly – combining convenience with quality and style.
The right display is crucial for presenting your photographs in a way that complements both the image and your environment. Whitewall, an award-winning photo lab, offers an extensive selection of framing options to suit any space or style. Its collection encompasses classic matted wooden frames,
› whitewall.com
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Buyers’ guide
Permajet Best for printers
both desktop and wide-format printers from esteemed brands like Canon and Epson, catering for enthusiasts and professionals alike. Whether you’re an amateur photographer seeking high-quality home prints or a pro requiring advanced printing solutions, Permajet ensures that all your needs are met.
Investing in a personal photo printer offers unparalleled control over your art, allowing you to produce prints that meet your exact specifications. Since its establishment in 1983, Permajet has become a trusted name, renowned for its broad range of inkjet papers and printing solutions. Its selection includes
› permajet.com
Photo books offer a modern and personalised alternative to traditional photo albums, allowing you to curate your images into a cohesive narrative. Cewe provides an intuitive platform to design bespoke photo books that reflect your unique style. With a variety of sizes, cover options and paper types – including eco- friendly recycled paper – Cewe caters for diverse preferences and occasions. Its software makes the creation process seamless, enabling you to craft a professionally printed photo book that will preserve your memories for many generations. Cewe Best for photo books
› cewe.co.uk
If you’re reading this article thinking, ‘this sounds like a lot of hard work’, we get it. There’s much to consider in the print and display process, which can feel overwhelming. That’s why we’ve included this final section spotlighting ZPS X from Zoner. This image-editing software excels in post- processing, but what sets it apart is its built-in feature for creating and ordering photo products like prints, canvases and calendars – all from within the software. That means you can edit, arrange and print your photos all in one hit. It doesn’t get much more convenient than that. Zoner Photo Studio Best end-to-end
› zoner.com
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Big test Nikon Z 50II
Big test
PRICE: £849
NIKON.CO.UK
If you’re looking for a great-value hybrid boasting impressive photo and video skills, Nikon’s latest APS-C format camera could be your dream machine
having a strong hybrid presence, Nikon faces stiff competition, but on paper the Z 50II looks promising; so let’s dig deeper into what it offers. The Z 50II’s list of headline features, considering its price point, is impressive. Its APS-C sensor offers 20.9-megapixel resolution and it is capable of shooting full-width 4K/30p video and JPEG stills at up to 30fps. It also uses the Expeed 7 image processor, the same engine found in the top-end Z 8 and Z 9 models. Its physical qualities are also promising, with a fully articulating touchscreen, a super-bright EVF, advanced subject recognition AF and an interesting button on the top-plate that sits in front of the rear input dial. This is the Picture Control button; one push brings up a range of image profiles you can call up to match the picture situation. Picture modes and creative filters on digital cameras aren’t new, and some brands have made more of them than others. Fujifilm for example, with its rich heritage as a film manufacturer, offers Film Simulation modes – and its two latest launches feature a dedicated dial for quick application of these profiles. The Z 50II’s dedicated Picture Control button gives easy access to 31 settings. These include the usual image profiles like Standard, Vivid and Landscape, as well as 20 creatively named options such as Somber, Silence, Melancholic and Sunday. While some are more
WORDS & IMAGES BY WILL CHEUNG
THE Z 50 WAS announced back in autumn 2019 and, ever since then, Nikon has introduced eight full- frame cameras but only two APS-C models. I’m not one for jumping to conclusions, but from that evidence it seems Nikon’s priorities do not lie with the APS-C format – though the arrival of the Z 50II might indicate a shift. With its £849 body-only price tag and hybrid-orientated feature set, the Z 50II targets content creators and image makers seeking a more engaging and higher-quality alternative to smartphones. With Fujifilm, Panasonic and Sony all
TOP OF THE SHOTS On top, find a mode dial with PSAM options, also including user- configurable settings
GO NUTS Bird subject detection AF was used, and the AF box sat on the squirrel’s eye. Captured with the Z DX 50-250mm f/4.5-6.3 VR zoom at 220mm
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Big test
PERFORMANCE: ISO The Z 50II’s APS-C sensor showed itself to be very capable despite its age. This set of ISO images was shot with a tripod-mounted Z 50II fitted with the Z 26mm f/2.8 prime lens. The base ISO 100 exposure was 1/1.6sec at f/13 with all in- camera noise reduction turned off, and the Raws processed through Nikon’s NX Studio software. Images looked clean and noise-free up to ISO 800 and were still very acceptable at ISO 1600. By the time we get to ISO 2500, grain became more noticeable but wasn’t overly distracting until ISO 4000, where image quality
SPECS › Prices £849 Z 50II body only, £999 with 16-50mm VR lens, £1199 with 16-50mm VR and 50-250mm VR kit, £1219 with 18-140mm VR kit › In the box Z 50II, body cap, USB-C cable, strap, EN-EL25a battery › Resolution 20.9 megapixels › Sensor APS-C DX format CMOS sensor 23.5x15.7mm, 5568x3712 pixels › Image processor Expeed 7 › Image formats 14-bit Raw, JPEG, HEIF › Storage media Accepts 1x SD UHS-II card › ISO range Native ISO range 100- 51,200, expansion to ISO 204,800 equivalent › Shutter Mechanical/electronic front curtain, electronic 30secs to 1/4000sec, extendible to 900secs in M, B, T. Flash sync at 1/200sec or 1/250sec, up to 1/4000sec with FP high-speed sync › Exposure system PASM modes. Matrix, centre-weighted, spot, highlight-weighted. 16 scene modes, +/-5EV exposure compensation › Monitor 3.2in vari-angle screen, 1.04m dots › EVF 1cm with 2.36m dots, 13 brightness levels up to 1000 nits › Focusing Hybrid phase detection/ contrast AF with AF assist. 209 focus points in single-point AF, 231 in auto area AF. Pinpoint (photo only), single point, dynamic area (photo only), wide area, auto area, 3D tracking (photo only), subject tracking AF (video only). Nine subject recognition modes including auto, birds, human, cats/dogs › Drive modes Up to 15 and 30fps (JPEGs only) with electronic shutter, up to 11fps mechanical shutter, up to 15fps in silent mode › Pre-release Yes, up to one second › Video MOV, MP4, 3840x2160 (4K UHD): 60p/50p/30p/25p/24p, 1920x1080: 120p/100p/60p/50p/30p/25p/24p, 1920x1080 slow motion: 30p (x4)/25p (x4)/24p (x5) › Video compression H.265/HEVC (8-bit/10-bit), H.264/AVC (8-bit) › Picture Control system Auto, Standard, Neutral, Vivid, Monochrome, Flat Monochrome, Deep Tone Monochrome, Portrait, Rich Tone Portrait, Landscape, Flat, Standard, Monochrome and Flat when HLG used. Creative Picture Controls: Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon. The selected Picture Control can be modified › Integral flash Yes, GN 7m (ISO 100) › Battery One EN-EL25a for 250 shots, EN-EL25 can be used › Connectivity HDMI Type D, USB-C, 3.5mm headphone and microphone mini jacks, Wi-Fi, Bluetooth › Other key features Vignette control, multiple exposure, flicker reduction, auto distortion control, diffraction compensation, focus shift, interval timer, portrait impression balance, time-lapse video recording, electronic vibration reduction, recording lamp, N-Log and HDR (HLG) video › Dimensions (wxhxd) 127x96.8x66.5mm › Body weight 550g with battery and SD card
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remained good with fine detail still looking crisp. Digital noise only becomes a serious issue if you venture to ISO 6400 and beyond, but with the latest denoising options available – even at sky-high ISO speeds – the APS-C format Z 50II proved to be a fine high-ISO performer. For comparison’s sake, I shot the same scene with the Z 50. Both cameras may have the same sensor, but the Z 50II’s updated processing system delivers better digital noise performance, as can be seen in the ISO 1600 and ISO 3200 samples here.
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practical than others, users can tinker with various parameters, allowing for personalised settings. Scrolling through the full list of options is slow – arranging them in alphabetical order would have been helpful. However, you can cherry- pick your favourites, reducing the list to as few as two: A (auto) and another you use regularly, saving time when navigating. As with other picture modes, Nikon’s Picture Control modes apply to JPEGs only. Although, if you shoot Raws (either alone or with JPEGs simultaneously) and use Nikon’s free NX Studio software, the chosen colour setting is embedded. This allows you to fine-tune the effect, pick another mode or opt for normal full colour before exporting as usual. Log onto the Nikon Imaging Cloud, and up to nine image presets can be downloaded, appearing as new Picture Control profiles. A fully articulating monitor is an essential component on any camera with ambitions of being considered a hybrid. A forward-facing monitor makes vlogging a breeze, and the Z 50II offers this feature – a real step up from the Z 50, which only had a tilt monitor.
ISO FAR SO GOOD The Z 50II offers solid ISO performance. The Raw files respond well to highlight and shadow recovery, as demonstrated in this handheld night shot. The exposure was 1/100sec at f/2.8 and ISO 1600, with the Raw file processed through Adobe Lightroom without using AI Denoise
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Big test
PERFORMANCE: EXPOSURE LATITUDE
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To assess the exposure latitude of the Nikon Z 50II’s Raws, I shot exposure brackets to +/-3EV in 0.3EV steps. In this example, the metered exposure was 1/100sec at f/11 and ISO 100. The exposure correction of the resulting Raws was done in Lightroom. With overexposure, Raws up to +2.3EV recovered nicely with a full tonal range and clean highlights, which wasn’t the case with the files overexposed by +2.6EV and more. Raws underexposed by -3EV recovered with no problem at all, but if you look closely, noise was evident in shadow areas. This was still the case with the -1.6EV shots. By -1.3EV, the corrected Raw was almost identical to the correctly exposed shot.
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PURR-FECTING THE DETAILS While the camera’s sensor is a few years old, its high-ISO performance still impresses. This shot was taken with the Z 26mm f/2.8 lens using an exposure of 1/1000sec at f/3.5 and ISO 6400. The Raw was not treated with any denoising in software
One feature under threat in this market sector is the EVF, as we’ve seen hybrid models from Fujifilm, Panasonic and Sony that rely solely on a monitor. While this design choice might not bother those moving up from smartphones – and it does help to reduce size and weight – more experienced camera users may find EVF-less cameras a bit less intuitive. Perhaps that’s why Nikon has stayed loyal to the EVF, equipping the Z 50II with a 2.36-million-dot screen “NIKON HAS STAYED LOYAL TO THE EVF, EQUIPPING THE Z 50II WITH A 2.36-MILLION- DOT SCREEN OFFERING UP TO 1000 NITS OF BRIGHTNESS”
offering up to 1000 nits of brightness – twice as bright as its predecessor. The viewing image is crisp, high- contrast and detailed, leaving no room for complaints on this front. In terms of control design and layout, the Z 50II will feel familiar to existing Nikon users. The right- side on/off switch and adjacent ISO, exposure compensation and movie record buttons are well-placed, while the lock-free exposure mode dial includes three user settings along with PSAM and fully auto options. Around the base of the mode dial is a stills/video switchover selector, but since it lacks a lock, it’s easy to unintentionally switch functions – something to watch for. A firmer action would have been better. The two front-mounted function buttons, Fn1 and Fn2, are seriously
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The Z 50II boasts impressive continuous shooting credentials if you need to rattle through lots of pictures quickly. In Continuous High (extended) mode with the mechanical shutter, I got 96 Raws or 81 Raws/ Fine JPEGs at 10fps – not quite the 11fps Nikon quotes. Once the buffer was full, it took around 25 seconds for the write LED to extinguish. For faster shooting, there are C15 and C30 modes, which provide 15fps and 30fps respectively. These settings work with the electronic shutter and yield JPEG files only. Using a Sandisk Extreme Pro SD 200MB/s card and holding my finger down on the shutter button until the buffer read
but there’s no focus lever. Shifting the focus point is done with the four- way thumb pad or by touch. Using the thumb to move the AF point when the eye is up to the viewfinder eyepiece is quick and more direct than using a focus joystick. While, when using the monitor, touching the screen moves the AF point and takes a shot as well. I needed a slight hand adjustment to reach the thumb pad when using the monitor or with the camera up to the eye – the same goes for accessing the cluster of buttons below. Pressing the i button brings up a virtual panel of 12 controls and features, and you can edit the items on offer.
useful, with each giving the option of 65 different settings or features. However, accessing them proved a bit tricky due to how close they are to the lens barrel. Given the camera’s small stature, the back panel is busy with controls,
SHOOT YOUR WAY Refine looks to your taste with various Picture Control settings
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