FEED Winter 2023 Web

EDITORIAL EDITOR  Verity Butler

+44 (0)1223 492246 veritybutler@bright.uk.com

STAFF WRITER Katie Kasperson DIGITAL WRITER Samara Husbands CHIEF SUB EDITOR Matthew Winney SUB EDITORS Ben Gawne, Martin Puddifer JUNIOR SUB EDITOR Lori Hodson CONTRIBUTORS  Sarah Butler, David Davies, Kevin Emmott, Adrian Pennington, Fergal Ringrose ADVERTISING SALES DIRECTOR  Sam Scott-Smith +44 (0) 1223 499457 samscott-smith@bright.uk.com SALES MANAGER  Emma Stevens DESIGN JUNIOR DESIGNER AND AD PRODUCTION Holly May JUNIOR DESIGNER Hedzlynn Kamaruzzaman DESIGNER Emma Di’Iuorio SENIOR DESIGNERS Carl Golsby, Lucy Woolcomb DESIGN MANAGER Alan Gray DESIGN DIRECTOR Andy Jennings PUBLISHING MANAGING DIRECTORS Andy Brogden & Matt Pluck FOLLOW US linkedin.com/company/feedzine @feedzinesocial +44 (0) 1223 499462 +44 (0) 7376 665779 emmastevens@bright.uk.com

here’s no denying that the ways in which we consume content are changing. When putting together this issue of FEED , I found myself reflecting on one

We also examine the evolution of microphones, with global leaders in sound sharing their rich expertise on the subject. Plus check out Genius Interview, where we meet Sue Anstiss MBE, a life-long activist for women’s sport who demonstrates precisely how media can ignite change. Our focus on women’s sport doesn’t end there, either. Xtreme ’s exclusive round table shines a light on the impressive feat of broadcast that was this year’s Women’s World Cup. Finally, we see experts reflect on what M&E achieved this year, and what the future holds for our industry. Now it’s time to bid farewell to 2023 as we conclude our final issue of the year. Stay tuned, there are exciting things to come in 2024!

of the earlier forms of media consumption: radio. A century ago, radio rapidly became so much more than a box capable of transmitting sound, it became a socially unifying feature of any family home. Fast-forward to 2023 and this harmonious notion is still reflected through the innovative ways sound brings audiences together – despite our increasingly connected world. This is no less true for the emergence of immersive audio, which, as this issue covers, fuses the virtual with the live.

This month’s cover illustration was created by Emma Di’Iuorio at Bright Publishing

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VERITY BUTLER, EDITOR veritybutler@bright.uk.com

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