REPEAT CUSTOM A strong relationship with Ubisoft has seen Way of Live produce the Rainbow Six Siege Berlin Major and build a custom broadcast-quality studio in Paris
BUILDING A STUDIO Technical production is the company’s bread and butter. That might include filling the gaps in a client’s existing broadcast set-up or building an entire studio from scratch. On top of the Ubisoft studio, Way of Live built two studios for poker and betting company Winamax. The Ubisoft studio is primarily for broadcasting
to sync up all the feeds. Latency between the game and shoutcasters was kept to one or two seconds. GAMING CAPITAL The company has continued making regular shows for Samsung and Xbox, and the corporate opportunities have kept expanding, including now helping insurance and banking firms produce
internal video. But Way of Live’s aim is to ride the growing swell in and around pro gaming. “The government is taking an interest in esports in France,” explains Picard. “A goal is to make Paris a global capital of esports.” Way of Live is also producing a series entitled Jour de Play , which takes a deep dive into gaming culture – from a French perspective – and tells the stories of gamers in their own words. The show is broadcast on Twitch then edited for viewing on Arte. Recently, the company
the Rainbow Six Siege league and associated events, plus broadcasts around other Ubisoft video games. Going forward, the facility will be used to promote new Ubisoft titles. Ubisoft required a functional broadcast control room, as well as a set for gameplay, that would work to a high broadcast standard. Popular esports providers such as Tricaster and Blackmagic Design were passed over in favour of major brands like EVS, Grass Valley and Ross Video. Panasonic PTZs were the camera choice, with equipment
TWO MONTHS IS NOT MUCH TIME TO PREPARE AN EVENT LIKE THE SIX MAJOR
produced the Six Berlin Major for Ubisoft at the Theater am Potsdamer Platz – with a lead time of just two months. On smaller projects, Way of Live may manage the entire production with creative included. In this case, though, it stuck to the technical side. “It was a packed two months. It’s not a big time frame to prepare an event of that scale. We moved 50 people from France to Berlin to work on it – hardware as well. But I think it was one of the best Berlin Majors Ubisoft could have hoped for.”
also including a full EVS environment made up of an EVS XT3 video server and Dyvi mixer. Thanks to macros and control room automation tools from LiveEdit, lights, cameras and sound could all be controlled through the Dyvi interface. Yet another bonus is the wide availability of technicians trained on the systems. The installation is entirely on-premises, incorporating cloud and remote-only when connecting to shoutcasters that commentated off-site during the pandemic, using vMix as a way
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