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camera or tripod in less than a second. This is a more efficient and secure system as it uses a speedy Ace Lock to coldshoe adapter rather than screwing the light onto a stand. If you’re looking for a larger panel, the latest in Nanlite’s Pavoslim LED light panel range of super-thin fixtures is the 240CL, a 4x1 RGBWW model with a powerful 240W output. Weighing just 3.62kg/7.98lb, it uses carefully designed optical lenses for four times the output of similar products to deliver 21,030 lux at 1m/3.3ft. The Pavoslim 240CL’s elongated shape, combined with a thickness of just under 2.35cm/1in, means it can be set up in tight spaces or locations with low ceilings. For travelling light, Neewer’s super- compact HB80C full-colour COB LED is an 80W unit designed for content creators who are on the go. Thanks to its innovative light-mixing cavity, the HB80C guarantees smooth, balanced colour rendering throughout the spectrum, with 95+ CRI and 97+ TLCI ratings for natural, lifelike hues. For white light, there is a range from warm 2500K to a cool 7500K to suit any scene. Godox has a series of five flexible LED lighting mats that now offer full RGB, joining its bicolour versions. When comparing mats of the same size, the new versions are lighter and more powerful with big advancements in waterproofing. These latest versions include the F100R, F200R, F200SR, F400R and F800R, which feature a colour temperature range from 1800 to 10,000K, along with adjustable G/M settings and multiple accessory options. They are flicker free with a CRI of 96+ and TLCI of 98+.
light can transform a scene. Modern RGB fixtures enable creators to add colour, accents and practical motivation without large set-ups. For run-and-gun work, small on-camera lights are invaluable to lift a scene. Stabilisation tools like gimbals make handheld footage smoother and more cinematic, especially for walk-and- talks, behind-the-scenes content or dynamic B roll. Meanwhile, drones open up aerial perspectives that instantly boost production value and set creators apart. Get a sub-250g version and you’re OK to shoot without a licence in most countries. Don’t overlook the workflow essentials such as variable ND filters for controlling exposure, power banks and V-Mount batteries for long days, rugged hard drives and durable media cards. Plus a decent bag or case to store and transport your kit in. With the right tools supporting your camera, you gain flexibility, consistency and the freedom to create with confidence in any environment. The right light brigade Decent lighting needn’t cost the earth and can transform your work. That’s especially important in a studio where you need large light sources for soft and flattering results. These could be light panels or COB lights, which can then be fitted with modifiers like softboxes or umbrellas. For a powerful COB light look no further than the 1200x, which is the first light in Aputure’s new Storm range that uses a brand-new Blair light engine with blue, lime, amber, indigo and red LED chips to make a full-spectrum white light. It also
has an ultra-wide CCT range and colour- accurate dimming. This powerful COB is designed to deliver a better-quality white light, helped by the calibrated indigo LEDs which enhance fluorescing materials. The resulting output better matches natural daylight and avoids black-coloured objects – especially textiles – taking on a false purple hue. For a more compact solution, Amaran’s cost-effective and portable Ace 25x and 25c, bicolour and full-colour LED lights respectively, claim to pack double the brightness of similarly sized lights at 32W. These compact LEDs are the first to use Amaran’s Ace Lock quick-release mount, which is designed to snap the light onto a STICKS PACK A hybrid tripod is a must-buy for anyone who juggles video content with stills
“Lighting needn’t cost the earth and can transform your work”
FIRST-CLASS POST There’s no getting past it, the edit or control of a live stream is what adds polish to content and makes your audience come back for more
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