DEFINITION February 2018

06

TITLE SEQUENCE THE CROWN

Quoted as the first $100-million TV series, The Crown certainly left its budget on the screen. The Crown 2 is more of the same Dif fused Royalty T I T L E S E Q U E N C E

playing more with de-tuned lighting set-ups. The good news is that Adriano and the Sony F55 camera are back; as is Asa Shoul the colourist from London’s Molinare, who used his Baselight to fine tune the Sony footage with great results.

ast year we loved The Crown from Netflix and its superb shooting style designed by DOP Adriano Goldman. His use of diffused light with a minimal light array seemed to kickstart the pattern of high-end television drama

IMAGE Director Stephen Daldry directing Clare Foy and Matt Smith as The Queen and Prince Philip in The Crown Season Two with the Sony F55 shooting and Adriano Goldman as DOP.

DEFINITION FEBRUARY 2018

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