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TERADEK
teradek.com
At the NAB Show, Teradek is showcasing the latest in zero-delay wireless video systems: the Bolt XT. The XT combines great wireless performance with smart design to give cinematographers incredible flexibility on set. Real-time 1080p60 video offers pristine image quality, and powerful software features, like a built-in 5GHz spectrum analyser and 3D LUTS, allow professionals to monitor the feed with complete confidence. The Bolt XT receiver features a newly-integrated NATO rail, while the transmitter includes an Arri Pin-Loc for fast and easy mounting on set. Available battery plates include Gold or V-mount for the Bolt 1000/3000 XT, as well as Sony L-Series or Canon LP-E6 plates on the Bolt 500 XT. Bolt XT is compatible with all third-generation Bolt 500, 1000 and 3000 models, as well as the 703 Bolt, 10K and Sidekick II units.
BOXX TV boxx.tv
Boxx TV is esteemed by the filmmaking industry for making affordable, high-performance wireless video transmitters. Meeting the latest demand of its patrons, it will be demonstrating its new solution for delivering higher-quality content in real time. The solution will facilitate sub-frame 4K wireless video transmission and promises to delivery low latency. It also operates in the license- exempt spectrum, making it affordable to all. Boxx TV will also be showcasing its Atom range of HD wireless video solutions, which are now complete with time code and record trigger on all systems. Included in this range is the Atom Transmitter, which now offers an SDI loop and HDMI input. This is ideal for camera operators using Steadicam, portable field monitoring and UAV video links. The Atom solutions can be used to broadcast a signal to an unlimited number of receivers without pairing requirements, meaning it’s also possible to extend the array of the system using specialised antennas.
RED
red.com
Red cameras are famously modular, but the company’s new rental-only piece eschews this approach with a unitary camera design. The Red Ranger was requested by the Red Authorised Rental House and is one of the first ‘all-in- one’ cameras for rental in the high-end cinema camera market. Designed to be grabbed and ran with, the Red Ranger is fully configured. It includes integrated I/Os, with three SDI outputs – one of which can be used independently from the other two feeds. Other features include support for a wider input voltage (11.5-32V) and there are two 24V and two 12V power outs. The camera also supports large power sources and is available in V-Lock or Gold Mount variants. To manage heat and reduce noise on-set, it includes a large diameter fan with a slow rotation. In addition to 8K Redcode Raw at up to 60 fps Full Format, the Ranger also captures to Apple ProRes or Avid DNxHR. As is to be expected, the new camera also includes Red’s modern, HDR-capable colour management system, IPP2.
APR I L 20 1 9 | DEF I N I T ION 13
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