AGENDA
NEWS
Major video boost for Z 9
Nikon has revealed new firmware for the Z 9 flagship, and Z 6II and Z 7II mirrorless cameras, as well as a 660GB CFexpress memory card to suit the Z 9’s high- resolution video recording. The Z 6II and Z 7II upgrade improves focusing for stills and video, but it’s the Z 9 that gets a huge increase in video spec – including Raw recording in 8.3K/60p in-camera and 4K/60p Ultra HD footage oversampled from 8K. The 12-bit, in-camera recording is in ProRes Raw HQ up to 4K/60p, or Nikon’s N-Raw format at up to 8K/60p and 4K/120p. Other new functions include a waveform monitor, red REC frame indicator and custom i-menu for fast display of video settings while shooting. The firmware also offers key upgrades for stills photographers, with customised AF set-ups using 20 selectable wide-area AF patterns, and a higher refresh rate of up
to 120fps can be activated for the camera’s 3000-nit EVF. Other functions include pre-release image capture, and the ability to recall focus positions using multiple camera buttons. For the Z 6II and Z 7II cameras, the Auto-Area AF algorithm means improved focus on foreground subjects in the centre of the frame. In addition, support for linear manual focusing delivers a more organic feel when recording video. Nikon’s new 660GB CFexpress memory card achieves read speeds of up to 1700 MB/s and write speeds of up to 1500 MB/s. In a move to please filmmakers, Nikon is developing a remote grip, ideal for use on a tripod pan handle. The MC-N10 accessory allows remote control of Nikon Z mount mirrorless cameras via a wired connection. Further details are still to be revealed. nikon.com
RAW COMES TO LEICA MIRRORLESS The Leica SL2-S will record ProRes Raw video over HDMI when connected to the Atomos Ninja V or V+, following a free firmware upgrade. It will output 4K, 12-bit linear ProRes Raw at up to 60fps. The Leica SL2-S features an all-metal body, with a 24-megapixel BSI-CMOS sensor that’s stabilised when used with L-Mount lenses. The five-inch Atomos touchscreens offer HLG and PQ HDR10 standards and provide a range of tools, such as waveforms, false colour and framing guides. ProRes Raw is supported in Final Cut Pro, Adobe Premiere Pro and Avid Media Composer, along with Assimilate Scratch, FilmLight Baselight and Grass Valley Edius. atomos.com
HANDY WORK Nikon’s commitment to filmmaking goes as far as this new grip, which works on its mirrorless cams on a tripod
GEAR TO GET YOU HIGH
A large levelling platform supports the telescoping column mast, which has eight risers and secure locking collars for each section. A pan ring allows 360° rotation. The platform base has four telescopic legs and heavy-duty jacks to level it out. msegrip.com
If you want to get a heavy light, or even a camera, up high, then Matthews has the answer, with the first off-the-shelf, modular grip and lighting stand that reaches 7.62m/25ft. The Air Climber uses pneumatics to be safely raised. The system offers a hefty load capacity of 91kg/200lb.
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