IBC NEWS SPECIAL
V-RAPTOR XE TARGETS INDIE CREWS n 6K semi-stacked full-frame sensor n 15+ stops of dynamic range n Up to 6K/60p, 4K/120p and 2K/240p recording n Exclusive Red R3D NE codec with Red colour science n Dual base ISO 800/6400 n 32-bit float in-camera audio recording n 4in DCI-P3 vari-angle touchscreen with 3D LUT support n Five-axis IBIS and focus breathing compensation n Intelligent AF with subject detection and tracking n 540g body with full weather sealing n Z mount compatibility plus F mount and third-party lens support KEY SPECS AT A GLANCE The new Red V-Raptor XE brings the brand’s legendary image quality to a wider range of filmmakers as it costs a more accessible £13,800/$14,995, making it the most affordable entry point into Red’s global shutter, large-sensor ecosystem. The XE is a streamlined version of the flagship V-Raptor X with the same 8K VV global shutter sensor. This gives incredible dynamic range, low-light performance and Red’s iconic colour science. Recording is 8K up to 60fps, 6K at 80fps, 4K at 120fps and 2K at 240fps. A firmware update due this year will introduce faster boot times and sensor optimisation for improved power efficiency. The XE will be available with RF or Nikon Z mounts, and is compatible with V-Raptor accessories. Red offers a Cine Essentials Pack at £18,372/$19,995 with the XE body, PL mount with electronic ND, Red Touch 7in LCD and outrigger handle. A first for Red, Komodo owners can trade in their cameras for credit towards the XE or V-Raptor X. The XE can be upgraded to full V-Raptor X specifications when needed. red.com
SOCIAL STAR The ZR is designed to handle everything from vertical videos to stills – ideal for content creators
1000-nit four-inch articulating screen and records Raw internally, so there’s no need for an external monitor-recorder, claims Nikon. And it’s the first camera to offer internal 32-bit float audio, so it doesn’t need external recorders or large XLR mics. The ZR is also the first Nikon to have a dedicated multi-interface hotshoe, which accepts the new ME-D10 digital shotgun mic as well as third-party options from Tascam. For run-and-gun shooting, the ZR has advanced built-in mics that can record different sound patterns. Up to ten 3D LUTs can be loaded for previews of creative looks while shooting.
Additional pro features include focus breathing compensation, fast intelligent AF with subject detection and five-axis in-body stabilisation. It doesn’t have a cooling fan, but Nikon says there’s great heat dissipation for long recording times. Memory comes via a single CFexpress card and one microSD. The ZR is completely weather sealed and will accept Nikon Z mount lenses, as well as F mount and third-party glass via adapters. The camera offers four cinematic video modes and nine Red Picture Controls, enabling content with a distinctive look straight out of camera.
TRIPLE THREAT Now the Z Cinema line has the Red V-Raptor and Komodo with Nikon lens mounts, and is joined by the Nikon ZR, made in conjunction with Red engineers
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