NEWS
“The Lumix also provides real-time subject detection, with an advanced deep learning technology to set precise focus on the target subject – even if they aremoving fast”
50p video in H.265. This uses half the bit rate, while keeping the image quality the same as H.264, or by using the same bit rate for higher quality. Streaming in 4K at low bit rate is possible, even where the bandwidth is not huge. In addition to a USB 3.1 Type-C connection, the BS1H is equipped with a 3G-SDI and HDMI Type-A terminal, which can be used for simultaneous output. Genlock In and Timecode In/Out functions allowmulti-angle synchronised video recording. When connected to LAN, Power over Ethernet+ (PoE+) protocol makes it easy to install as a single cable, which can power the camera and stream the live feed. The camera comes with a double SD card slot for backup or relay recording. And when used with Panasonic S series lenses, with image stabilisation, this works with the camera’s own IS for smoother shots. It also has tally lamps front and rear, a network connection lamp and five function buttons. There is a 3.5mm audio jack, and the camera is
compatible with Panasonic’s DMW-XLR1 XLR adapter. The camera can be remotely controlled via a basic generic unit with a 2.5mm jack. But 2.4GHz Wi-Fi connectivity and Bluetooth 4.2 allow wireless freedom, via the free Lumix Tether for Multicam and Lumix Sync apps.
BOXING CLEVER The new Lumix can be rigged up for different uses, with an XLR mic adapter and Ethernet, or a monitor on top
HANDS ONWITH THE BOX-FRESH LUMIX The new Panasonic BS1H arrived the daywe went to press on this issue of Pro Moviemaker,
to make it into the sort of camera you want – a bit like a mini Red cinema camera. It can be controlled via an app, but getting the app to work, you have to link a smartphone to it. So, as there is no LCD screen at all, you can’t do this until you plug in an external monitor to pair up a smartphone. After that, use a smartphone and the Lumix Sync app to see what you are changing, and what the camera is seeing. We preferred using the camera with an Atomos Ninja V, which just plugged into the HDMI – it worked instantly. The control dials then change settings, navigate menus and monitor the footage. If you use a recorder, it can make a copy to the camera’s internal memory cards. For handheld, you’d want to bolt on some sort of grip or top handle. It’s more useful as a tripod or gimbal-mounted camera, where its light weight and small form pay dividends. If you use the camera in manual mode, sadly there are no ISO, aperture and shutter speed dials, like you’d find on most cameras. The quick menu button lets you access and
but we managed to get a quick hands-on try-out with the camera. We already have experience with the MFT version, the BGH1 boxcam. And, like that camera, the new BS1H can be rigged up for a multitude of uses. But as it also has the immense, Netflix-quality output of the S1H, it can be pressed into action for the most high-end productions. It’s set up for streaming, of course, but it almost seems a bit of a waste to use a 6K full- frame camera for that. It’s far more useful being thought of as a modular cinema camera you can hide in tight places, then use remotely – or rig-up with monitors and a follow focus to turn into a ‘real’ cinema camera. The beauty is that it can be used for all these things. Prettymuch the only thing it isn’t great at, is as a walkaround hybrid ENG to shoot stills and video. The BS1H is essentially a cube with a lens mount on the front, a sensor inside and connectors on the back. You use the ¼-20 threaded holes to add the accessories you need
alter these settings, and others. It makes the camera slower to use than the conventional S1H. Essentially, it takes time to get used to the handling of a box camera with no external dials. The camera is powered by external batteries, which don’t come with the body. Or by the included AC adapter or Power over Ethernet+. We had a look at some sample footage and it was much like the S1H. That’s to say, it’s incredible quality, with natural colours and low noise. We’ll report all our findings in the next issue, when we’ve fully tested the camera. panasonic.com
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