The ultimate magazine for next generation filmmakers
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46 CANON GOES FOR RAW POWER The new Canon EOS C500 Mark II takes the Raw Light format of the C200 and mixes in the high-bit rate codec of the C300 Mark II to
create a powerful full-frame cinema camera . 50 SONY’S FULL-FRAME CAMCORDER
With advanced autofocus and a 35mm sensor like the Alpha mirrorless cameras, plus the handling of the FS7 cinema camera, the new FX9 offers the best of both worlds. 56 BLACKMAGIC SUPERSTAR The Pocket Cinema Camera gets a 6K boost, a larger Super35-size sensor, Canon EF mount and stunning Raw capture. 64 THE PANASONIC MADE FOR FILMMAKING The S1H sets a new standard for mirrorless cameras with true cinema credentials like anamorphic shooting, 6K recording and Panasonic gives the all-rounder S1 an upgrade, with V-Log shooting and lots more mods to make it an even better buy. 70 THE MASTERMIND OF MIRRORLESS Meet the man who has championed the new breed of small cameras from the Panasonic G-series right through to the new S1H, in our It’s the world’s smallest full-frame mirrorless camera and it also shoots CinemaDNG Raw to its SD cards. The pocket-size Sigma fp is put through its paces and is shockingly good, especially in low light. 80 MINI TESTS We review great new kit including a new Atomos monitor that doubles as a switcher, Sony’s dual wireless mic solution, the Rotolight Titan X2 LED light panel, Irix cine lens and Lexar SSD. 91 BUYERS’ GUIDE: BAGS Take a look at our guide to some of the very best cases and bags to suit every type of camera kit. exclusive one-on-one interview. 74 SIGMA’S SMALL WONDER super-high bit rates for stunning quality. 68 S1 GETS THE CINE UPGRADE
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WINTER 2019 PRO MOVIEMAKER
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