THE GREEN SCENE
FUJIFILM GFX100 II
Why rent? The unique look from this huge sensor is simply sublime What else might you need? GF lenses to match the G-Mount If you want to give your latest project the unique look and true cinematic style that only comes from using an oversized sensor, the Fujifilm GFX100 II is by far the most accessible option. But to take advantage of the camera’s impressive AF, you’ll need a bank of GF-fit lenses, which many filmmakers simply don’t have. This makes rental a great choice. Industry- standard PL, LPL and other lens mounts can be used via adapters thanks to the camera’s shallow flange depth, so this could be another solution. The GFX100 II is the first of the large format GFX System cameras to offer a high-end moviemaking spec. It has a new 102-megapixel CMOS sensor that measures 43.8x32.9mm. There is a wide range of recording options, from Raw output to camera-to- cloud integration for instant workflows. 4K/60p in 4:2:2 10-bit can be captured internally at almost full sensor width (43.63mm). If you need higher resolution,
there’s also 8K/30p and for super slow- motion, Full HD in 120p is also possible. Footage can be recorded internally to a CFexpress card, externally directly to an SSD via the USB-C port or full-sized HDMI. This allows formats including Raw to be
recorded externally on compatible devices such as an Atomos monitor and recorder, which saves the footage in 12-bit Apple ProRes Raw at up to 8K/29.97p or in 12- bit Blackmagic Raw with the Blackmagic Video Assist 12G HDR device.
COOKE SP3 PRIMES
at between 500g/1.1lb and 690g/1.52lb, including the lens mount, making them practical for use on gimbals and drones. All the lenses have 0.8M geared rings for focus and iris control, and are similarly sized. The 100mm version is physically longer, but the consistent control ring placement makes it fast to change lenses when using follow focus. SP3 primes offer fall-off towards the edge of frame, which is a key factor in the famous cinematic look.
Why rent? Get the Cooke Look on your mirrorless camera What else might you need? VND filters or matte box If you yearn for the legendary Cooke Look that’s only produced by the historic British lenses, they’re now available in a set that’s smaller and cheaper than the brand’s famous Speed Panchro series. The set is a dream buy for many, but is likely a rental- only option for indie companies.
Cooke started its SP3 range with five lenses, but recently added an 18mm T2.4 model to the 25, 32, 50, 75 and 100mm focal length selection. They come with Sony E-mount installed, but Canon RF mount and L-Mount are also available, which can be fitted by the user in minutes. All have an aperture range of T2.4-16 and are small and lightweight compared to other Cookes, yet have a solid construction that’s built to last for a long time. The SP3s are Cooke’s lightest lenses, weighing in
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