Mini test
PUNCHING UP Despite using a sub full-frame sensor, the FX30 puts in a heavyweight performance. The small, light design makes it ideal for compact sliders or getting excellent-quality handheld shots
Final word
Verdict The FX30 is the entry level to Sony’s Cinema Line of cameras and is by far the cheapest way in. It’s not a classical, ‘real’ cine, but has lots of mirrorless tech packed in a chunky body with no EVF. Its APS-C sensor allows use of E- or FE-mount lenses, so works with a good selection of optics. Mainly, this hybrid is aimed at filmmakers after a massive choice of codecs and frame rates. This could be the model that tempts filmmakers away from conventional mirrorless and towards something more in line with shooting high-quality movies. If that’s the way you feel your output is going, this is a fine choice. 20 /25 FEATURES Not laden with stills functionality, but a wealth of features for those wanting to shoot video
but the FX30 does very well in these situations. Rolling shutter is well controlled, and the five-axis in-body image stabilisation is also impressive – useful for handheld footage. AF is a hybrid system with 495 phase-detection points and eye AF for humans, animals and birds, plus focus tracking. It’s both predictable and quick, and can be customised in terms of response. There are good tools for manual focus, too, accessed via dedicated buttons on the rear. For audio – often the bane of small cameras – the optional XLR top handle screws into those 1/4in sockets on the top-plate and makes connection via the Multi Interface Shoe. This provides communication and power from the camera and is compatible with all Sony’s MI-fit audio accessories. The top handle ALL THE TRIMMINGS Hook up a monitor and mic and you have a formidable filmmaking camera (right) KEEP IT COOL The FX30’s quiet internal fan prevents any of the overheating problems video-focused machines may be prone to (above)
“IT’S AN EXCELLENT CAMERA WITH GREAT VIDEO SPEC, HOLDING ITS OWN AGAINST
has two XLR ports and all the pro controls you’d need. There’s also a third input for standard 3.5mm jacks. The FX30 has the capability to use timecode thanks to a USB-C input. This USB slot can also power the camera, which otherwise uses Sony’s NP-FZ100 cells for lengthy shooting times. You’ll want a couple of spares for all-day shoots, though. The USB socket also allows the camera to be employed for live streams, while simultaneously recording high-res video to its memory cards. This streaming capability now includes more frame-rate options, quality up to 4K and is easier to set up. If you’ve ever shot video before, you’ll know longer recording times cause issues with heat. To counteract this, the FX30 has an incredibly quiet integral fan – you can keep shooting
20 /25 HANDLING
No EVF, so a separate monitor is required, but well designed from a filmmaking perspective
MUCH PRICIER OPPOSITION”
21 /25 PERFORMANCE
Great-quality footage and AF, but not quite so hot as a stills-making machine
23 /25 VALUE FOR MONEY
Affordable camera; CFexpress memory less so
for a long time before overheating problems rear their head. The fan can be turned down or off for audio- critical shoots, though. We had no issues at all with high temperatures – but did only use the camera in typical UK autumn weather. Death Valley residents may get different results, particularly in summer. PN
84 /100 OVERALL
Good introduction to cinema-style cameras
PROS 10-bit 4:2:2 4K/120p and 240fps HD CONS Limited stills functionality
54 Photography News | Issue 102
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