With or without trade shows, our industry continues to show ingenuity. In this issue, we put the spotlight on the lighting companies creating powerful and portable LEDs for on-location camerawork – and on the aerial companies bolstering VFX crews with their mammoth camera arrays. And don’t miss our blockbuster shoot stories, covering the cinematography of Cruella and A Quiet Place Part II, and the Oscar-nominated sound design of the explosive World War II hit, Greyhound.