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DOCUMENTING EUROVISION
With Eurovision 2024 done and dusted, MPB talked to Corinne Cumming and Sarah Louise Bennett – who photographed 2022’s show in Turin – to find out what it’s like to capture
W atched by more than 200 million people worldwide, the Eurovision Song Contest is one of the most iconic entertainment events in the world. But what’s it like to photograph the historic event? MPB lent photographers Corinne Cumming and Sarah Louise Bennett some much-loved Nikon and Canon kit for 2022’s event. Q: What kit did you borrow and were you happy with the results? CC: I borrowed the Canon EF 100- 400mm f/4.5-5.6L IS II USM and a
FREEZE TIME (Right) Corinne Cumming on the Eurovision set with camera system in tow
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